Once Upon a Time
This was fun. I liked all of the fairy tale characters banding together to help Snow White; it gave purpose to some of those slightly more stand-alone episodes because we were able to know who they were and what they're capable of when it came time for them to assemble. Also it might have been the first time I've seen an entire army of fairies. With all of Regina's gloating, I thought it would give Mr. Gold time to warn Emma about the apple turnover, but then when Henry showed up at her door instead I knew he was going to eat it. The preview for next week's finale looks epic.
Glee
See, because this show has way too many characters, it keeps trying to take these shortcuts by creating attempts at beautiful moments when we haven't spent enough time with most of the characters - or the relationships haven't existed long enough - to be properly invested in them. I can tell this episode was trying so hard to be moving and likable, but it just wasn't. It was just a lot of predictable sap. I immediately identified Brittany's dinosaur song as a Ke$ha (or "Key Dollar Sign Ha", as Principal Figgins likes to say) song in spite of being mostly unfamiliar with her music, because one thing I do know is that Ke$ha songs tend to be written so that listening to them will cause your IQ to decrease by twenty points. Seriously, listen to the lyrics of a Ke$ha song (and the way in which they're spoken) and tell me it didn't feel like it was murdering half your brain cells. I got the sense that "Dinosaur" was trying really hard to be witty, but without having the intelligence to know what wit actually is, nor the creativity to express it in an effectively original way.
New Girl
I enjoyed the ending with everyone dancing to Nick's cheesy mix tape in their rooms. Seemed like a good way to end the season, although it would have worked just as well if they'd let Nick move out and ended with that as a cliffhanger. I also appreciated that Nick and Jess still didn't hook up, because I was thinking they might do the played out thing where they kiss in a moment of passion and then start acting awkward and wondering if it meant something but leave it open for next season. Nice to see that it didn't go in that direction. Also I found it funny how much Schmidt hated the cookies in the opening scene.
Survivor: One World
It was really funny when they mentioned at tribal council that Tarzan had been wearing Kat's panties on his head, and then they cut to Kat in the jury box wiping tears away. It's creepy, Kat, yes, but not traumatic creepy. Although that was probably just a reaction from something else that the editors stuck in. But then again it's Kat, so maybe not. Why does Alicia still think she's powerful? Because she thinks she had Tarzan and Christina in her pocket? Tarzan is smarter than she is and had his own strategy (didn't work, but he tried), and Christina will go along with literally any plan that is suggested to her. Yeah, Alicia, that makes you a mastermind. I don't want to have to listen to her unfounded boasting if she makes it to the finals on Sunday.
Community
Interesting. Another clip show (sort of), only this time using clips of the characters acting crazy in an attempt to convince them that they're actually crazy, in a delusional way. They have spent time in a mental institution, according to the previous clip show. And Shirley is clearly insane if she thinks Brett Ratner is a master filmmaker. Watching this episode, I thought it might be an interesting direction to take the show if Greendale really didn't exist after all, but a direction that only would have worked if the show was going to end this season (which it isn't - yay!), because an entire season without Greendale - and with most of what we've been seeing proving non-existent - would be a less fun blank slate. But it was a really fun callback to early scenes when we saw the hallucinated, asylum versions of events from previous episodes, and a great montage of all the crazy, pointless classes that Greendale offers (almost as insignificant as the list of fake night courses last season). And apparently this year's paintball tournament was film noir themed. Might have been cool to see, but then maybe not. Hard to top the last ones, and it might get old if they keep doing paintball episodes. But I like that it was at least acknowledged.
30 Rock
I like that Leap Day William made a cameo at Jack and Avery's holiday party. Also a great device that Avery playing to Jack's guilt over his indiscretion ended up strengthening their relationship by reminding him how much he loves playing mind games with her - something that, from what I could tell, her mother wouldn't necessarily do on a regular basis. I Saw the contents of the "Criss Points" board online, and my favourite thing on there was that if Criss trades in 275 Criss Points, he is allowed to grow a "joke moustache."
The Office
This episode had some laughs, including the penis-flavoured energy drink for gays, Andy intentionally spilling soup on himself to look pathetic, and the senator once again hitting on Oscar, but there were also things that didn't work. Oscar trying to make an "It Gets Better" video while his co-workers interfere could have been hilarious, and probably would have been had Michael been there to stick his face in, but it was disappointing, and I would think Oscar would be smart enough not to attempt that at work anyway. I like Andy getting his job back, in spite of not really enjoying him as manager, because it means Nellie loses the position, but the moment had to be ruined by his keeping her on out of pity. I'm also intrigued by the return of David Wallace and the Dwight/Angela hook-up (for the eight millionth time) because they are reminders of earlier, better seasons, but sadly I don't think that will magically make the show as funny as it was back then.
Parks and Recreation
I was ready to be okay with Leslie losing the election, if only because it would mean going back to more of the same and that's not a bad thing when this show has been consistently hilarious. But I'm also a big fan of Leslie and friends, and seeing them happy makes me happy, so Leslie winning was a more satisfying ending to the season and takes things in a new direction for season five. It's going to be funny when sober Ann realizes she agreed to move in with Tom. Although she does love his pad, so it might be even funnier if she goes along with it just to live there and has to put up with him.
Awake
Here we go, this is exactly the kind of Awake episode I like to see. Too bad it was named after my least favourite movie quote of all time. Even worse, NBC canceled the show this week. ...No, no, the movie quote is worse. I'm sick of writers overusing it in comedies and pretending it's a good joke. Anyway, it's interesting that Mike's hallucinations not only come from something in his subconscious memory, but they seem to occur when he blacks out - or, in other words, when he's been forced from one side over to the other. Cleverly, the argument still works for both sides: you could say that if Red is real, Mike was having difficulty getting back to his recurring dream; or if Green is real, he was simply having difficulty waking up because his bungee fall was a hard blow. I'm still leaning toward the former, but with the show ending forever in a couple of episodes we might never know. "Bohemian Rhapsody" ended up being the perfect song to use in the episode because parts of the lyrics were so appropriate, but I think they replayed the clip of Rex and Hannah singing it one too many times.
Fringe
Dead Rebecca Mader's eyes rolling around independently of each other was disturbing to watch, but I'm not sure if it was that by itself or because it was a special effect that wasn't 100% unnoticeable. I could understand Bell's point of view about how human society has ruined itself (just look at MTV's A Shot at Love - or better yet, never look at it), because it's partly true, but I don't think you can just throw a pessimism blanket over two entire universes. The amount of corruption would have to be massive to warrant destroying them and starting over, and I personally don't believe that it is. As a whole, I felt this episode to be a little anti-climactic, especially for a season finale. It was obvious Olivia would have to die in order to stop Bell (but not permanently, because she still needed to pop out a baby, and because she's the lead actress with another season on the way); when Bell was thwarted he just kind of went "Okay. See ya," and faded away; and then we were left with a not entirely ominous warning from an Observer that failed to make for an exciting cliffhanger - although for that reason it would have been a less disappointing cut-off point had the show been canceled, and maybe that's why it was left open on a more generic level. However, the scene where Walter thinks a nurse's tray of urine samples might be jello was hilarious.
Hero of the Week: Leslie Knope from Parks and Recreation, for making it happen.
Douchebag of the Week: I'm going with Alicia from Survivor again. She might be a worse person than Colton.
Showing posts with label the office. Show all posts
Showing posts with label the office. Show all posts
Sunday, May 13, 2012
Saturday, May 5, 2012
This Week in Television - Apr. 29-May 4, 2012
Once Upon a Time
Thanks, Canadian television, for cutting off the ending. It's not like I needed to see any more after Emma told Henry she needed to ask him something very important. It's a good thing we have internet; for anyone else who missed it, she asked him if he wanted to get away from Regina and live with her, he of course said yes, and she decided they would leave Storybrooke. Anyway, seeing this episode puts last week's into an interesting perspective, because it was sort of the same father/son story with the same outcome, but with the roles reversed. But I like the idea of a humanized Pinocchio slowly turning back into the puppet. I can take or leave some of the twists they've put on the fairy tales, but I like that one. Plus Miss Blanchard's speech to Regina was awesome.
Glee
It only proved what a pale and unnecessary imitation Coach Roz is when her character entered the episode spouting a whole string of unfunny insults, and all Sue Sylvester had to do at the top of the very next scene was call her "Black Sue" and I was laughing. It's not just Roz's lame jokes; Jane Lynch has way better comedic delivery than anyone else in the cast. I think they stunted themselves with the NYADA stuff, because while having Rachel and Kurt do nothing but talk about NYADA all season to show how important it is to them, it also made me sick of hearing about NYADA, and so I cared even less than usual when Rachel flubbed her big audition. She and Kurt have been a little ignorant about it anyway; there's more than one way to make a showbiz career. Not getting into some prestigious arts school doesn't mean your entire future is ruined, but apparently those two felt there was only one path and made no backup plans. Mr. Schue would have done better to prepare them for that rather than force the dud students to have goals. And then there was the whole domestic abuse thing. Apart from not handling issues seriously enough because Glee likes to cram them into an episode in small doses and then never mention them again (much like they do with some of the characters), the presentation of it didn't have me taking sides on the issue. I mean wife-beating is never okay, but giving that storyline to the manliest woman on the show and then downplaying it by telling us the reason was something small and the dude was drunk when he hit her, it took the gravity out of it. If he only hits her when he's drunk, the solution is for him to never drink again. If he can make that decision and actually stick with it, then I don't think it would be all that unfortunate for Bieste to go back to him; granted it's a big "if", but under those optimum circumstances I wouldn't consider it a step back for feminism. And anyway, Bieste is literally as strong as Cooter is, if not stronger, and I'm not saying that makes it okay to hit her, but it does make her less of a sympathetic victim, and probably less relatable to domestic abuse victims because not a lot of women are built like she is. I get that the message was that it can happen to anyone no matter how unlikely it seems, but what's the point of that message? Fear-mongering? Bieste may be an emotionally vulnerable person, but physically she is a tank and should be able to handle herself. That's why this storyline is not helpful to the women who can't defend themselves. It would have worked a lot better if they'd done this storyline in season one, with Ken Tanaka hitting Miss Pillsbury over his jealousy of her and Mr. Schue, who then would have cared a little more and brought the issue to the attention of all the students, not just the females, and thus it would have taken up more of the episode and gotten the air time it deserved. This crap writes itself, Glee, where were you back there?
New Girl
It was cool to see Paul back, because it went well with the Nick/Caroline hookup. Although it also seemed to push Jess closer to Nick, which I'm still not on board with. Some good jokes about Winston's different earrings and the unusual things that give Schmidt boners (Asian Jess is an understandable one, though). Bonus points to Jess for the Battlestar Galactica reference, and to the writers for remembering Coach with a little meta shout-out to Happy Endings.
Survivor: One World
Alicia thinks she's the most powerful player in the game? What? Kim has been controlling things since Colton left, and has an idol. You're dumb, Alicia. Kat's relationship with her cousin is disturbing, but her ridiculously low intelligence and misuse of the word "touche" will make for an amusing highlight reel at the reunion.
Community
I was struck by how many jokes they packed into the first few minutes of this episode. I don't think Community's jokes per minute ratio is usually as high as that, and it was fun to see. Was not expecting group expulsion to happen in the course of the series, although it may be a good excuse to prolong Community's time at Greendale if they get back in and have to repeat a year (and if the show is able to avoid cancellation). I thought it was funny how nobody really cared about Star-Burns' death: Jeff mourned more for his summer than for the deceased, Pierce thought the comb Star-Burns stole from him might be inside his urn, Britta kept trying to put her Psych major to use, Shirley just wanted to sing "Ava Maria" at the funeral, etc. Not that it's surprising, because they didn't care about him when he was alive, either. The reference to "Remedial Chaos Theory" was very welcome because that episode is already a classic, and the Star-Burns tribute video was hilarious. He probably has done all of those things...during acid trips.
30 Rock
On principle, I'm disappointed that 30 Rock re-did two of their concept episodes from last season (the live episode and the "Queen of Jordan" reality show - especially when laughtracks and reality shows are two of my least favourite forms of television), but on the other hand they managed to work because this season's live episode was funnier, and this season's "Queen of Jordan" still had more reality show tropes to make fun of. Like Community's Law & Order episode, you can still get the jokes just by having a general sense of a very cookie-cutter genre, so I enjoyed them pulling out the sappy music when someone cried; referencing an unseen character and then explaining her lack of screentime by having her describe herself as someone who "pays her mortgage on time and handles conflict appropriately"; insulting audience memory by showing black & white flashbacks to something that happened only a few minutes ago; and exaggerating conflict wherever possible, like Kenneth vs. the cord he tripped on. I think the story with Jack and his mother in-law's web of lies was a little dry, though, and I didn't like that it led to a Liz/Jack kiss. Even if fake, it was too weird given the nature of their relationship and how unattracted to each other they are, and knowing that Tina Fey is opposed to those two ever hooking up. Even Jack's nano-second kiss with D'Fwon was less weird.
The Office
While I didn't mind this episode, I didn't really like that they're retracing their steps in having Andy do something similar to the Michael Scott Paper Company. They already gave him Michael's job and transformed his personality somewhat to be more Michael-like, now they're going to start giving him Michael's old plotlines, too? I know it's not exactly the same, but it's close enough that they shouldn't have bothered to do it at all. And, again, the Nellie scenes just felt like the writers trying to backtrack and say "Wait, wait, you should like her!", and while I found her less annoying this week, she's still not sympathetic. But I did really like Jim and Dwight teaming up, because it's a rare thing and it's always fun when it happens. Actually, Dwight teaming up with anyone tends to be interesting since he is more of a lone wolf who considers himself superior to everyone.
Parks and Recreation
I never get tired of Burt Macklin. Andy's nicknames for everyone, and his treating the pie-throwing mystery like a puzzle when there wasn't really anything to piece together (and somehow solving it anyway) were awesome. Also got a good laugh at the dancers coming out when Leslie learns of Nick Newport Sr.'s death, largely because I still find that "Get on Your Feet" song from earlier in the season to be really funny.
Awake
It was obvious that Hannah would turn out to have been right about Rex's girlfriend, but what this episode nicely set up was a reason for Mike not to move, resulting in the dramatic irony of him not knowing he's just endangered himself. But I hope the conspiracy against him is more than just that his presence prevents some dudes from selling drugs. That would be an inadequate reason for trying to kill his family. P.S. Forgot to mention last week the joy of having a guest appearance by "Dr. Marvin Candle".
Fringe
Nice, another Lost castmember! As cool as that episode in the future was, the problem with peeking into the future is that it sometimes ruins surprises when you go back to the past, like the reveal of Bell in this episode, Peter and Olivia contemplating a child, and Astrid getting shot (which actually was a little shocking, but we know she's not going to die because we saw her in the amber years later). I'm wondering if it might have worked better to put that future episode after this one, and then we'd get that retroactive foreshadowing to set up the stakes for next week's season finale. This Olivia's powers are way cooler than previous Olivia's. However, she has apparently never seen Ghostbusters. For shame!
Hero of the Week: Andy as Burt Macklin from Parks and Recreation, for solving the case, even if pie security failed.
Douchebag of the Week: Coach Roz from Glee. Possibly the worst character on the show, and that's saying a LOT.
Thanks, Canadian television, for cutting off the ending. It's not like I needed to see any more after Emma told Henry she needed to ask him something very important. It's a good thing we have internet; for anyone else who missed it, she asked him if he wanted to get away from Regina and live with her, he of course said yes, and she decided they would leave Storybrooke. Anyway, seeing this episode puts last week's into an interesting perspective, because it was sort of the same father/son story with the same outcome, but with the roles reversed. But I like the idea of a humanized Pinocchio slowly turning back into the puppet. I can take or leave some of the twists they've put on the fairy tales, but I like that one. Plus Miss Blanchard's speech to Regina was awesome.
Glee
It only proved what a pale and unnecessary imitation Coach Roz is when her character entered the episode spouting a whole string of unfunny insults, and all Sue Sylvester had to do at the top of the very next scene was call her "Black Sue" and I was laughing. It's not just Roz's lame jokes; Jane Lynch has way better comedic delivery than anyone else in the cast. I think they stunted themselves with the NYADA stuff, because while having Rachel and Kurt do nothing but talk about NYADA all season to show how important it is to them, it also made me sick of hearing about NYADA, and so I cared even less than usual when Rachel flubbed her big audition. She and Kurt have been a little ignorant about it anyway; there's more than one way to make a showbiz career. Not getting into some prestigious arts school doesn't mean your entire future is ruined, but apparently those two felt there was only one path and made no backup plans. Mr. Schue would have done better to prepare them for that rather than force the dud students to have goals. And then there was the whole domestic abuse thing. Apart from not handling issues seriously enough because Glee likes to cram them into an episode in small doses and then never mention them again (much like they do with some of the characters), the presentation of it didn't have me taking sides on the issue. I mean wife-beating is never okay, but giving that storyline to the manliest woman on the show and then downplaying it by telling us the reason was something small and the dude was drunk when he hit her, it took the gravity out of it. If he only hits her when he's drunk, the solution is for him to never drink again. If he can make that decision and actually stick with it, then I don't think it would be all that unfortunate for Bieste to go back to him; granted it's a big "if", but under those optimum circumstances I wouldn't consider it a step back for feminism. And anyway, Bieste is literally as strong as Cooter is, if not stronger, and I'm not saying that makes it okay to hit her, but it does make her less of a sympathetic victim, and probably less relatable to domestic abuse victims because not a lot of women are built like she is. I get that the message was that it can happen to anyone no matter how unlikely it seems, but what's the point of that message? Fear-mongering? Bieste may be an emotionally vulnerable person, but physically she is a tank and should be able to handle herself. That's why this storyline is not helpful to the women who can't defend themselves. It would have worked a lot better if they'd done this storyline in season one, with Ken Tanaka hitting Miss Pillsbury over his jealousy of her and Mr. Schue, who then would have cared a little more and brought the issue to the attention of all the students, not just the females, and thus it would have taken up more of the episode and gotten the air time it deserved. This crap writes itself, Glee, where were you back there?
New Girl
It was cool to see Paul back, because it went well with the Nick/Caroline hookup. Although it also seemed to push Jess closer to Nick, which I'm still not on board with. Some good jokes about Winston's different earrings and the unusual things that give Schmidt boners (Asian Jess is an understandable one, though). Bonus points to Jess for the Battlestar Galactica reference, and to the writers for remembering Coach with a little meta shout-out to Happy Endings.
Survivor: One World
Alicia thinks she's the most powerful player in the game? What? Kim has been controlling things since Colton left, and has an idol. You're dumb, Alicia. Kat's relationship with her cousin is disturbing, but her ridiculously low intelligence and misuse of the word "touche" will make for an amusing highlight reel at the reunion.
Community
I was struck by how many jokes they packed into the first few minutes of this episode. I don't think Community's jokes per minute ratio is usually as high as that, and it was fun to see. Was not expecting group expulsion to happen in the course of the series, although it may be a good excuse to prolong Community's time at Greendale if they get back in and have to repeat a year (and if the show is able to avoid cancellation). I thought it was funny how nobody really cared about Star-Burns' death: Jeff mourned more for his summer than for the deceased, Pierce thought the comb Star-Burns stole from him might be inside his urn, Britta kept trying to put her Psych major to use, Shirley just wanted to sing "Ava Maria" at the funeral, etc. Not that it's surprising, because they didn't care about him when he was alive, either. The reference to "Remedial Chaos Theory" was very welcome because that episode is already a classic, and the Star-Burns tribute video was hilarious. He probably has done all of those things...during acid trips.
30 Rock
On principle, I'm disappointed that 30 Rock re-did two of their concept episodes from last season (the live episode and the "Queen of Jordan" reality show - especially when laughtracks and reality shows are two of my least favourite forms of television), but on the other hand they managed to work because this season's live episode was funnier, and this season's "Queen of Jordan" still had more reality show tropes to make fun of. Like Community's Law & Order episode, you can still get the jokes just by having a general sense of a very cookie-cutter genre, so I enjoyed them pulling out the sappy music when someone cried; referencing an unseen character and then explaining her lack of screentime by having her describe herself as someone who "pays her mortgage on time and handles conflict appropriately"; insulting audience memory by showing black & white flashbacks to something that happened only a few minutes ago; and exaggerating conflict wherever possible, like Kenneth vs. the cord he tripped on. I think the story with Jack and his mother in-law's web of lies was a little dry, though, and I didn't like that it led to a Liz/Jack kiss. Even if fake, it was too weird given the nature of their relationship and how unattracted to each other they are, and knowing that Tina Fey is opposed to those two ever hooking up. Even Jack's nano-second kiss with D'Fwon was less weird.
The Office
While I didn't mind this episode, I didn't really like that they're retracing their steps in having Andy do something similar to the Michael Scott Paper Company. They already gave him Michael's job and transformed his personality somewhat to be more Michael-like, now they're going to start giving him Michael's old plotlines, too? I know it's not exactly the same, but it's close enough that they shouldn't have bothered to do it at all. And, again, the Nellie scenes just felt like the writers trying to backtrack and say "Wait, wait, you should like her!", and while I found her less annoying this week, she's still not sympathetic. But I did really like Jim and Dwight teaming up, because it's a rare thing and it's always fun when it happens. Actually, Dwight teaming up with anyone tends to be interesting since he is more of a lone wolf who considers himself superior to everyone.
Parks and Recreation
I never get tired of Burt Macklin. Andy's nicknames for everyone, and his treating the pie-throwing mystery like a puzzle when there wasn't really anything to piece together (and somehow solving it anyway) were awesome. Also got a good laugh at the dancers coming out when Leslie learns of Nick Newport Sr.'s death, largely because I still find that "Get on Your Feet" song from earlier in the season to be really funny.
Awake
It was obvious that Hannah would turn out to have been right about Rex's girlfriend, but what this episode nicely set up was a reason for Mike not to move, resulting in the dramatic irony of him not knowing he's just endangered himself. But I hope the conspiracy against him is more than just that his presence prevents some dudes from selling drugs. That would be an inadequate reason for trying to kill his family. P.S. Forgot to mention last week the joy of having a guest appearance by "Dr. Marvin Candle".
Fringe
Nice, another Lost castmember! As cool as that episode in the future was, the problem with peeking into the future is that it sometimes ruins surprises when you go back to the past, like the reveal of Bell in this episode, Peter and Olivia contemplating a child, and Astrid getting shot (which actually was a little shocking, but we know she's not going to die because we saw her in the amber years later). I'm wondering if it might have worked better to put that future episode after this one, and then we'd get that retroactive foreshadowing to set up the stakes for next week's season finale. This Olivia's powers are way cooler than previous Olivia's. However, she has apparently never seen Ghostbusters. For shame!
Hero of the Week: Andy as Burt Macklin from Parks and Recreation, for solving the case, even if pie security failed.
Douchebag of the Week: Coach Roz from Glee. Possibly the worst character on the show, and that's saying a LOT.
Sunday, April 29, 2012
This Week in Television - Apr. 22-27, 2012
Once Upon a Time
This was a good episode. I think the show has gotten better now that it has more of a direction than stand-alone, fairy tale character of the week type episodes. And I have to give them credit for another plot twist, because I thought August being Rumpelstiltskin's son was going to be a predictable let down similar to last week's Fringe, but I didn't see it coming when it turned out he wasn't the son.
Glee
I'm not a Whitney Houston fan, but I was under the impression that most of the covers in this episode were vocally inferior. Why try if you can't do it justice? And why exactly did we even need the Christian kid with the dreadlocks? Because there was no one left for Quinn to date? God knows Glee already has way, way too many characters with an unequal balance of screen time. Maybe the kids wouldn't run out of people to date if they stopped switching partners every three episodes. On the plus side, we got another speech from Kurt's dad, which always makes an episode slightly better. Congratulations, Burt Hummel, you are one of only three characters (out of 9 billion - see above) who make the show worth watching.
New Girl
I didn't personally find the tap-dancing joke funny enough to warrant it predictably coming back during Jess's dinner with Russel and his ex-wife, but I did get a good laugh out of Russel's trying-not-to-eye-roll face. Other hilarious things from this episode included Nadia's list of things she likes about America, and everything involving Schmidt's penis injury - especially his line, "I'm almost positive Nadia's vagina contains a right angle."
Survivor: One World
Disappointed that Kim broke her word for no reason and didn't take Kat on the reward, but she kicked ass at both challenges so I applaud that part. And Kim's strategic mistake wasn't nearly as horrible as Alicia's comments about Christina's intelligence. Ugh. Alicia is a horrible, disgusting person. The fact that she's still there makes me like everyone else less for keeping her.
Community
I never watched Law & Order, but because all detective shows are virtually the same, the jokes still worked as a generic parody of the genre, so it was a lot of fun. I knew it was going to be Todd when they asked him about the bandage on his hand, but I imagine that predictability was actually a part of the parody and not a symptom of incompetent writing. RIP, Star Burns.
30 Rock
While the previous live episode was flawlessly executed, this one had a few mistakes and technical difficulties, the worst being when a portion of the episode was lost when they accidentally cut to commercial in the middle of a scene and came back in the middle of another (though I think it was only in Canada, so CityTV's fault, not NBC's). I didn't watch the West coast version, but I hope it was done better. Also, while I like the idea of doing parodies of old live shows from back in the day, it felt a little like an excuse for Fey and the writers to take a mini break from 30 Rock and do some SNL-style sketches instead. That being said, I do think it was funnier and more entertaining than last season's version. All of the surprise cameos were so much fun. Amy Poehler as young Liz Lemon doesn't physically make any sense, but it's still awesome because it's Amy Poehler, and Fred Armisen's random lean into the shot from the background was hilarious because he came out of nowhere and that's all he did in the episode.
The Office
This was a fun episode because I liked all the little threads going on. Well, not all of them. Darryl messing with Nellie was funny in theory because I like when Darryl takes advantage of stupid people, but even as a prank victim I still have trouble enjoying her. The character's just not funny or endearing, in any situation. And the mass pet adoption thing was just done a couple episodes ago on Parks and Recreation. I've pointed this out a few times, but why does it always seem to be The Office that accidentally uses the same jokes as other shows in close proximity? I liked Oscar and Jim's little competition about whether the senator is gay. Although the same basic thing keeps coming up once in a while, and it always ends with Oscar thinking he's wrong after all, but then noticing another gay tell and changing his mind again, but I guess I find it funny that the guessing game is still going on. Random, unexpected appearance by David Wallace, who is now a millionaire. What?!
Parks and Recreation
The debate went a little differently than I thought it would, but it makes sense as a political satire that the crowd would be so easily won over by the biggest idiot in the room simply because he's charming and easygoing. But Leslie's closing speech was great, April's advice to Tom (in a mirror of their scene last week) was another cute moment, and Andy reenacting entire movies was hilarious. Apparently his recital of Babe was incredibly moving, as it made Donna cry.
Awake
Dammit, it messes with my theory that red is real if Mike obtained the knowledge of the baby from the green world. But there are still a lot more instances of him using red info in the green world as opposed to the other way around. Maybe the baby was something he knew about subconsciously. I think the most interesting thing about all this is that it now makes the red world more valuable to him than the green one, because there's only Rex on one side, but a wife and grandchild on the other. It's unbalanced, at least for now.
Fringe
Good news! Fringe will be back next season, for a shortened 13-episode run, before ending entirely. This episode in particular felt like it was wrapping things up for a series finale, though. For all the writers knew, that's exactly what they were doing just in case, but now that there's another season left I'm sure we haven't seen the last of the other universe. They only said they "may" not be able to turn the machine back on. Plus there were ways to get over there before the machine was built.
Hero of the Week: Andy from Parks and Recreation, for knowing how to provide entertainment when the cable is out.
Douchebag of the Week: Alicia from Survivor. Gross.
This was a good episode. I think the show has gotten better now that it has more of a direction than stand-alone, fairy tale character of the week type episodes. And I have to give them credit for another plot twist, because I thought August being Rumpelstiltskin's son was going to be a predictable let down similar to last week's Fringe, but I didn't see it coming when it turned out he wasn't the son.
Glee
I'm not a Whitney Houston fan, but I was under the impression that most of the covers in this episode were vocally inferior. Why try if you can't do it justice? And why exactly did we even need the Christian kid with the dreadlocks? Because there was no one left for Quinn to date? God knows Glee already has way, way too many characters with an unequal balance of screen time. Maybe the kids wouldn't run out of people to date if they stopped switching partners every three episodes. On the plus side, we got another speech from Kurt's dad, which always makes an episode slightly better. Congratulations, Burt Hummel, you are one of only three characters (out of 9 billion - see above) who make the show worth watching.
New Girl
I didn't personally find the tap-dancing joke funny enough to warrant it predictably coming back during Jess's dinner with Russel and his ex-wife, but I did get a good laugh out of Russel's trying-not-to-eye-roll face. Other hilarious things from this episode included Nadia's list of things she likes about America, and everything involving Schmidt's penis injury - especially his line, "I'm almost positive Nadia's vagina contains a right angle."
Survivor: One World
Disappointed that Kim broke her word for no reason and didn't take Kat on the reward, but she kicked ass at both challenges so I applaud that part. And Kim's strategic mistake wasn't nearly as horrible as Alicia's comments about Christina's intelligence. Ugh. Alicia is a horrible, disgusting person. The fact that she's still there makes me like everyone else less for keeping her.
Community
I never watched Law & Order, but because all detective shows are virtually the same, the jokes still worked as a generic parody of the genre, so it was a lot of fun. I knew it was going to be Todd when they asked him about the bandage on his hand, but I imagine that predictability was actually a part of the parody and not a symptom of incompetent writing. RIP, Star Burns.
30 Rock
While the previous live episode was flawlessly executed, this one had a few mistakes and technical difficulties, the worst being when a portion of the episode was lost when they accidentally cut to commercial in the middle of a scene and came back in the middle of another (though I think it was only in Canada, so CityTV's fault, not NBC's). I didn't watch the West coast version, but I hope it was done better. Also, while I like the idea of doing parodies of old live shows from back in the day, it felt a little like an excuse for Fey and the writers to take a mini break from 30 Rock and do some SNL-style sketches instead. That being said, I do think it was funnier and more entertaining than last season's version. All of the surprise cameos were so much fun. Amy Poehler as young Liz Lemon doesn't physically make any sense, but it's still awesome because it's Amy Poehler, and Fred Armisen's random lean into the shot from the background was hilarious because he came out of nowhere and that's all he did in the episode.
The Office
This was a fun episode because I liked all the little threads going on. Well, not all of them. Darryl messing with Nellie was funny in theory because I like when Darryl takes advantage of stupid people, but even as a prank victim I still have trouble enjoying her. The character's just not funny or endearing, in any situation. And the mass pet adoption thing was just done a couple episodes ago on Parks and Recreation. I've pointed this out a few times, but why does it always seem to be The Office that accidentally uses the same jokes as other shows in close proximity? I liked Oscar and Jim's little competition about whether the senator is gay. Although the same basic thing keeps coming up once in a while, and it always ends with Oscar thinking he's wrong after all, but then noticing another gay tell and changing his mind again, but I guess I find it funny that the guessing game is still going on. Random, unexpected appearance by David Wallace, who is now a millionaire. What?!
Parks and Recreation
The debate went a little differently than I thought it would, but it makes sense as a political satire that the crowd would be so easily won over by the biggest idiot in the room simply because he's charming and easygoing. But Leslie's closing speech was great, April's advice to Tom (in a mirror of their scene last week) was another cute moment, and Andy reenacting entire movies was hilarious. Apparently his recital of Babe was incredibly moving, as it made Donna cry.
Awake
Dammit, it messes with my theory that red is real if Mike obtained the knowledge of the baby from the green world. But there are still a lot more instances of him using red info in the green world as opposed to the other way around. Maybe the baby was something he knew about subconsciously. I think the most interesting thing about all this is that it now makes the red world more valuable to him than the green one, because there's only Rex on one side, but a wife and grandchild on the other. It's unbalanced, at least for now.
Fringe
Good news! Fringe will be back next season, for a shortened 13-episode run, before ending entirely. This episode in particular felt like it was wrapping things up for a series finale, though. For all the writers knew, that's exactly what they were doing just in case, but now that there's another season left I'm sure we haven't seen the last of the other universe. They only said they "may" not be able to turn the machine back on. Plus there were ways to get over there before the machine was built.
Hero of the Week: Andy from Parks and Recreation, for knowing how to provide entertainment when the cable is out.
Douchebag of the Week: Alicia from Survivor. Gross.
Sunday, April 22, 2012
This Week in Television - Apr. 15-20, 2012
Glee
Why exactly is Mr. Schue forcing all the kids to have dreams and goals? He teaches Spanish and one extra-curricular activity (which is, for some reason, treated like a regular class). He's not even a guidance counselor, so it's not his job to get so aggressively involved in the futures of his students. Although on the other hand, they're his best friends since he has zero adult friends. The storyline with Unique was just Glee saying "Oh, wait, we haven't included any transsexuals yet!" and then slapping on the same "be proud of who you are" message that is included every single time a new character is introduced. The only good part of the episode was Lord Tubbington doing household chores.
New Girl
Loved Zooey's meta shout-out to Bridge to Terabithia. I don't think I liked Winston's storyline in this episode, and it's peculiar that he seems to get seperate scenes away from the rest of the cast more often than the other characters, but this new job of his is at least giving him something to do. I actually kind of wanted Cece to be pregnant, if only for the comedic potential of her and Schmidt as parents, though at the same time it is a bit of a sitcom staple that can feel contrived if you do it wrong. Russell's daughter was also funny with her sex malapropisms and obsession with Nick. I think the latter might have felt creepier if she'd had more scenes with Nick uncomfortably reacting to her, but they wisely kept that to a minimum, and it was funnier for it.
Survivor: One World
Oh, Survivor. I know you love playing the sappy music when someone gets a letter from home, but don't pretend anything involving Alicia can make the viewers weep. She is the least sympathetic person on the show. This season has now basically turned into not Troyzan vs. everyone, but Troyzan vs. Kim. I'm not sure how I feel about Troyzan. He is more or less a smart and capable player, but he's also being obnoxious. I'm still rooting for Kim.
Community
I heard there was going to be a Dreamatorium episode, and that it was going to be very weird. It was, but not as weird as I expected. Troy saying he "didn't get Inception" could almost be taken as a meta comment on the nature of this episode, because I can see how some people might find it confusing even though it wasn't. But having Annie and Abed impersonating their study group friends was a fascinating look at how they view the other characters (and themselves), and made for interesting juxtaposition given that Annie is sort of the heart of the show while Abed has trouble understanding emotion. And it was hilarious that it did not occur to the Dean to change his outfit before going to the bank.
30 Rock
Kat was awesome in that she was like a young version of Liz, and just as funny. The couch commercials starring Stacy Keach were also fantastic, as well as Liz and Criss pretending to be in a gay porno. And I enjoy the running gag about Jenna's disturbingly violent relationship with Mickey Rourke, which I hadn't even noticed was a running gag before this season until I watched some reruns and found Jenna mentioning him every once in a while. Could be gold if he ever makes a guest appearance.
The Office
Similar to last week, most of this episode just angered me. I mean if you put a lot of Ryan and Nellie in the same episode, both being horrible but too self-centered to realize it (Nellie sort of did, but it failed to make her more likable), I am likely to pull an Andy and smash holes in my walls - although I did love that particular wall-punching callback. The first time Andy did it in season three, he was overreacting, but this time it was completely justified, and kind of cute when Erin joined in his tantrum. The second half of the episode was a little better for this, and for the enjoyable moment when Pam flat out tells Ryan she doesn't like him. Oh, and the tag where Jim and Pam are secretly moved by Ryan's cheesy poem.
Parks and Recreation
Ah, I missed you, Parks and Rec. This was one of those great episodes where every character got a chance to be awesome. I think the more zany, unrealistic jokes on this show work best when they come from Andy - here inexplicably removing a ship from a bottle intact - because he is probably the most cartoonish character on the show, so he can get away with bending reality in a mockumentary from time to time. Tom cheering up April was probably my favourite scene of the episode, though. Being a self-centered tool (yet still a charmingly likable one) produces more of an impact when Tom does something sweet. Leslie will destroy Bobby Newport at the debate, but I imagine his manager will have a trick up her sleeve because that episode won't have any conflict if it's too easy for Leslie. But job loss stakes have been raised pending the election, and given that every single character on this show is so lovable, that's not something to shrug off.
Awake
To be honest, this was a mostly boring filler episode. Don't have any more to say about it, but this was disappointingly the first episode I didn't find very entertaining. Maybe it was the absence of the therapists. I enjoy those scenes.
Fringe
Wow, this episode was pretty amazing. The one complaint I have is that I knew Etta was Peter and Olivia's daughter pretty much as soon as she came on screen in the opening scene, and all of the obvious hints (everyone avoiding saying her last name, urgently pushing Walter about his team) only confirmed it. It's rare that I predict something that well, so I don't know if it was a fluke or if it was really that heavy-handed, but the moment of reveal lost its power because of it. For me, the biggest surprise of the episode was seeing William Bell inside the amber. How does that dude keep dying and coming back so much? Based on Olivia's absence and the "what he did to Olivia" line, I'm positing that he did something similar to when he inhabited her body, only this time he replaced the space her body was occupying with his own, or something like that. Or maybe, if this is the future of the "Peterless" timeline, Bell never died in that one. Anyway, this was one of the most absolutely riveting episodes ever, and having Desmond from Lost show up (the second biggest surprise of the episode, because I didn't know he was going to be in it) was icing on the cake. I think I actually pumped my fist and went "Yes! Desmond!" I love Lost too much.
Hero of the Week: Tom from Parks and Recreation, for making April smile, and because his bachelor pad is awesome.
Douchebag of the Week: Let's give Nellie a break and go with Ryan from The Office. I haven't forgotten how much of a douche you are, Ryan.
Saturday, April 14, 2012
This Week in Television - Apr. 8-13, 2012
Glee
Oh, I see, they had Quinn get in a car accident so they could throw her in a wheelchair (in spite of there being no physical evidence whatsoever that she sustained so much as a paper cut) and pair her up with Artie, because this is the show that unimaginatively paired up two Asians, two Blacks, two Jews, two blonds, and two cheerleaders. According to Glee, you need to have something visibly in common with someone in order to hook up with them. Or you need to be Sam and Mercedes, who couldn't have less in common visibly but that's okay because their relationship was never visible, either. And the star quality of Blaine's brother was greatly exaggerated. He's been in ONE series of commercials, but everyone kept saying how he was such a big, successful superstar. His fame level would, in reality, be just under that of the Old Spice guy, yet everyone's pretending he's Justin Bieber. However, I did find his terrible acting advice funny, so at least there was something about this episode I enjoyed.
New Girl
A somewhat average episode this week, except for the scenes where they played "True American". I have no idea what that is, but I have played my share of "The Floor is Lava" in my youth. Good times.
Survivor: One World
This episode was mostly just a lot of scrambling as each gender became paranoid about the other, but the highlight was Tarzan losing the immunity challenge even before Jeff finished saying "This challenge is on." That was just funny, and probably the fastest challenge elimination in Survivor history.
Community
Sad but true that women with low self esteem are into guys who treat them like crap. And low self esteem is common thanks to media pressure and inter-female cattiness, so all the douchebags are getting way more women than they deserve. However, I don't understand how that would make Britta full-on addicted to Blade rather than just attracted to him. Nowhere near my favourite episode of the season, but still some good laughs, such as everyone constantly asking why the Dean was at Troy and Abed's apartment, Pierce finally becoming a welcome member of the group - for about two minutes, and Abed's extremely specific stand-up routine.
30 Rock
The Woggles song at the end was great, and in addition to "Dean Cain", I believe I saw "The Lorax" on Jenna's sexual walkabout list. I don't really have any warmth for Jack's relationship with his mother, though. I'm more a fan of his unusual friendship with Liz.
The Office
I liked the opening tag with everyone forgetting whether Stanley had a moustache or not, and Jim and Pam sabotaging the magician was mildly amusing, but otherwise this episode was a little hard to watch. It made almost every character look like a jerk at various points, and as I've said in the past, I don't find Nellie funny.
Up All Night
This was probably the best episode since the pilot, which isn't saying much, but thanks to the use of Julian and the semi-sweet re-proposal scene, it was largely a success. The "wife lost her ring" is another sitcom story that's been done a lot, but I think they improved on it by setting up the idea that Reagan originally proposed to Chris first, and then having her give him the moment back at the end. If there's one good thing that came out of this show, it's that it humanized Will Arnett when people have stated that they find his screen presence weird or creepy.
Awake
Not as epic as last week (seems to be the case for most of the shows this week), but entertaining nonetheless. It feels like they teased us with the conspiracy thing just to remind us that it's there, and then didn't really make much progress with it (interesting tidbit, though, that Harper has enough of a heart not to want Mike dead). But I shouldn't be expecting a TV show plot to be fast-paced, because that's not how serialized television works.
Fringe
The scene where Astrid gives her alternate self (perhaps she can be called Asprid, since she has something akin to Asperger's?) a can of coffee is probably the cutest thing that's ever happened on Fringe. But I thought the frequency matching to cause destruction to both sides was an interesting idea, even though I have no clue why Jones would want to do that, assuming he has a motive beyond being psychotic. Fauxlivia seemed fairly distressed over Alt-Lincoln's death. I'm betting it will push her toward our Lincoln finally landing himself a Dunham.
Hero of the Week: Both Astrids from Fringe. If you watched it, you know why.
Douchebag of the Week: Nellie from The Office. Please go back to England.
Oh, I see, they had Quinn get in a car accident so they could throw her in a wheelchair (in spite of there being no physical evidence whatsoever that she sustained so much as a paper cut) and pair her up with Artie, because this is the show that unimaginatively paired up two Asians, two Blacks, two Jews, two blonds, and two cheerleaders. According to Glee, you need to have something visibly in common with someone in order to hook up with them. Or you need to be Sam and Mercedes, who couldn't have less in common visibly but that's okay because their relationship was never visible, either. And the star quality of Blaine's brother was greatly exaggerated. He's been in ONE series of commercials, but everyone kept saying how he was such a big, successful superstar. His fame level would, in reality, be just under that of the Old Spice guy, yet everyone's pretending he's Justin Bieber. However, I did find his terrible acting advice funny, so at least there was something about this episode I enjoyed.
New Girl
A somewhat average episode this week, except for the scenes where they played "True American". I have no idea what that is, but I have played my share of "The Floor is Lava" in my youth. Good times.
Survivor: One World
This episode was mostly just a lot of scrambling as each gender became paranoid about the other, but the highlight was Tarzan losing the immunity challenge even before Jeff finished saying "This challenge is on." That was just funny, and probably the fastest challenge elimination in Survivor history.
Community
Sad but true that women with low self esteem are into guys who treat them like crap. And low self esteem is common thanks to media pressure and inter-female cattiness, so all the douchebags are getting way more women than they deserve. However, I don't understand how that would make Britta full-on addicted to Blade rather than just attracted to him. Nowhere near my favourite episode of the season, but still some good laughs, such as everyone constantly asking why the Dean was at Troy and Abed's apartment, Pierce finally becoming a welcome member of the group - for about two minutes, and Abed's extremely specific stand-up routine.
30 Rock
The Woggles song at the end was great, and in addition to "Dean Cain", I believe I saw "The Lorax" on Jenna's sexual walkabout list. I don't really have any warmth for Jack's relationship with his mother, though. I'm more a fan of his unusual friendship with Liz.
The Office
I liked the opening tag with everyone forgetting whether Stanley had a moustache or not, and Jim and Pam sabotaging the magician was mildly amusing, but otherwise this episode was a little hard to watch. It made almost every character look like a jerk at various points, and as I've said in the past, I don't find Nellie funny.
Up All Night
This was probably the best episode since the pilot, which isn't saying much, but thanks to the use of Julian and the semi-sweet re-proposal scene, it was largely a success. The "wife lost her ring" is another sitcom story that's been done a lot, but I think they improved on it by setting up the idea that Reagan originally proposed to Chris first, and then having her give him the moment back at the end. If there's one good thing that came out of this show, it's that it humanized Will Arnett when people have stated that they find his screen presence weird or creepy.
Awake
Not as epic as last week (seems to be the case for most of the shows this week), but entertaining nonetheless. It feels like they teased us with the conspiracy thing just to remind us that it's there, and then didn't really make much progress with it (interesting tidbit, though, that Harper has enough of a heart not to want Mike dead). But I shouldn't be expecting a TV show plot to be fast-paced, because that's not how serialized television works.
Fringe
The scene where Astrid gives her alternate self (perhaps she can be called Asprid, since she has something akin to Asperger's?) a can of coffee is probably the cutest thing that's ever happened on Fringe. But I thought the frequency matching to cause destruction to both sides was an interesting idea, even though I have no clue why Jones would want to do that, assuming he has a motive beyond being psychotic. Fauxlivia seemed fairly distressed over Alt-Lincoln's death. I'm betting it will push her toward our Lincoln finally landing himself a Dunham.
Hero of the Week: Both Astrids from Fringe. If you watched it, you know why.
Douchebag of the Week: Nellie from The Office. Please go back to England.
Monday, March 19, 2012
This Week in Television - Mar. 11-16, 2012
Once Upon a Time
Interesting twist. I wasn't expecting that Ruby would be Little Red Riding Hood and the Big Bad Wolf, but mostly because this show, while altering the original fairy tales, hasn't been huge on reversal plot twists. Not really that interested in what happened to David's wife, though.
New Girl
There was a lot of focus on Schmidt playing bongos, and it wasn't a funny gag, but I like that they at least used this episode to establish him as the one who keeps the place clean. It was understandable that Jess might try to change him, but if the state of the apartment is that horrible without him, then they need Schmidt to be the way he is. The stuff with Nick owing Winston money was funnier, but kind of made Nick look like a douche.
Survivor: One World
The promo spoiled the twist again, so I was nowhere near as shocked as Survivor wanted me to be because I knew a tribe switch was coming. Tribal council was funny, with Tarzan having trouble with names and Leif complimenting Monica, they made it look like Colton's vote was going to be screwed. I would've loved it if that happened. But I'm hoping that Kim and Chelsea can use their new idol to mess up Colton and/or his idol, once the merge happens.
Community
It's so nice to finally have Community back. That hiatus was, in a way, worse than a summer break, because during a hiatus it's off the air when it doesn't need to be. I think it was smart of them to use "Season One Pierce", i.e. the more lovable, senile old goofball, because as fans we want to be happy to see the characters back, and it would be a little grating if they slapped us in the face with "Bully Pierce". And of course a lot of great gags, including the racist camera, the callback to Jim Belushi's mediocrity, Troy and Abed trying to act normal, and the contents of Jeff's slot machine heart (I think I saw Alicia Witt in there). While I love the more creative episodes, like the multiple timeline one earlier this season, this was the perfect one to return with, because it was just some warm, joyous time spent with the characters we love being themselves - even Troy and Abed, because their peculiar attempts to be different people were still indicative of who they are.
30 Rock
I enjoy watching characters play games, so seeing Jack Donaghy get stomped at a roleplaying tabletop game and then figure out how to get back on top was awesome. It's also funny every time Dennis tries to win Liz back, but luckily Liz has learned not to get sucked into his vortex of destructive failure. Also, there were Hulk hands.
The Office
As much as I liked Andy and Erin together in the past, I wasn't feeling their chemistry in this episode. And I'm not really enjoying the character of Nellie, and not because she seems to have stolen Andy's job. More because her comedy seems forced, as if the writers think that the more Catherine Tate keeps talking, the funnier she'll get. Unfortunately, there is news that James Spader's leaving, which means Tate's probably sticking around. Robert California wasn't as awesome this season as he was in his job interview in last season's finale, but he was at least interesting. I don't know how many guest star bosses they intend to have, or when the series will finally wrap up, but here's my idea for an ending: Ricky Gervais finally gets the manager position, makes a "that's what she said" joke in his first five minutes on the job, and then cut to a talking head of Jim, who says, "Aaaaaand we're back where we started."
Up All Night
I don't like this new boss dude at all, and his presence in the episode somehow made it feel like a Canadian sitcom (meaning very dry). But I didn't see it coming when Ava's "little sister" back-stabbed her to get in with the cool girls, so I appreciated the surprise. Ava's attempts to insult them were clearly lame, but I thought the girls would just walk away unaffected and Ava would shout some more unfunny insults at them or something. Bonus: Will Arnett said "I've made a huge mistake" in this episode.
Awake
It seems to me that the red world (where his wife survived) is the real one, and the green world is the dream, because in this episode and last week's he used the red world to gain information for the green world. Information that it would have been very unlikely for him to know subconsciously. It's more reasonable that he would seek out knowledge in real life and then use it in the dream, because the other way around implies that he basically has psychic abilities, and I don't think this is that kind of show. But it's only episode three, so who knows.
Hero of the Week: Jack Donaghy from 30 Rock, for turning a barren desert into a field of glass.
Douchebag of the Week: Nellie from The Office. I'd rather she went away.
Interesting twist. I wasn't expecting that Ruby would be Little Red Riding Hood and the Big Bad Wolf, but mostly because this show, while altering the original fairy tales, hasn't been huge on reversal plot twists. Not really that interested in what happened to David's wife, though.
New Girl
There was a lot of focus on Schmidt playing bongos, and it wasn't a funny gag, but I like that they at least used this episode to establish him as the one who keeps the place clean. It was understandable that Jess might try to change him, but if the state of the apartment is that horrible without him, then they need Schmidt to be the way he is. The stuff with Nick owing Winston money was funnier, but kind of made Nick look like a douche.
Survivor: One World
The promo spoiled the twist again, so I was nowhere near as shocked as Survivor wanted me to be because I knew a tribe switch was coming. Tribal council was funny, with Tarzan having trouble with names and Leif complimenting Monica, they made it look like Colton's vote was going to be screwed. I would've loved it if that happened. But I'm hoping that Kim and Chelsea can use their new idol to mess up Colton and/or his idol, once the merge happens.
Community
It's so nice to finally have Community back. That hiatus was, in a way, worse than a summer break, because during a hiatus it's off the air when it doesn't need to be. I think it was smart of them to use "Season One Pierce", i.e. the more lovable, senile old goofball, because as fans we want to be happy to see the characters back, and it would be a little grating if they slapped us in the face with "Bully Pierce". And of course a lot of great gags, including the racist camera, the callback to Jim Belushi's mediocrity, Troy and Abed trying to act normal, and the contents of Jeff's slot machine heart (I think I saw Alicia Witt in there). While I love the more creative episodes, like the multiple timeline one earlier this season, this was the perfect one to return with, because it was just some warm, joyous time spent with the characters we love being themselves - even Troy and Abed, because their peculiar attempts to be different people were still indicative of who they are.
30 Rock
I enjoy watching characters play games, so seeing Jack Donaghy get stomped at a roleplaying tabletop game and then figure out how to get back on top was awesome. It's also funny every time Dennis tries to win Liz back, but luckily Liz has learned not to get sucked into his vortex of destructive failure. Also, there were Hulk hands.
The Office
As much as I liked Andy and Erin together in the past, I wasn't feeling their chemistry in this episode. And I'm not really enjoying the character of Nellie, and not because she seems to have stolen Andy's job. More because her comedy seems forced, as if the writers think that the more Catherine Tate keeps talking, the funnier she'll get. Unfortunately, there is news that James Spader's leaving, which means Tate's probably sticking around. Robert California wasn't as awesome this season as he was in his job interview in last season's finale, but he was at least interesting. I don't know how many guest star bosses they intend to have, or when the series will finally wrap up, but here's my idea for an ending: Ricky Gervais finally gets the manager position, makes a "that's what she said" joke in his first five minutes on the job, and then cut to a talking head of Jim, who says, "Aaaaaand we're back where we started."
Up All Night
I don't like this new boss dude at all, and his presence in the episode somehow made it feel like a Canadian sitcom (meaning very dry). But I didn't see it coming when Ava's "little sister" back-stabbed her to get in with the cool girls, so I appreciated the surprise. Ava's attempts to insult them were clearly lame, but I thought the girls would just walk away unaffected and Ava would shout some more unfunny insults at them or something. Bonus: Will Arnett said "I've made a huge mistake" in this episode.
Awake
It seems to me that the red world (where his wife survived) is the real one, and the green world is the dream, because in this episode and last week's he used the red world to gain information for the green world. Information that it would have been very unlikely for him to know subconsciously. It's more reasonable that he would seek out knowledge in real life and then use it in the dream, because the other way around implies that he basically has psychic abilities, and I don't think this is that kind of show. But it's only episode three, so who knows.
Hero of the Week: Jack Donaghy from 30 Rock, for turning a barren desert into a field of glass.
Douchebag of the Week: Nellie from The Office. I'd rather she went away.
Saturday, March 10, 2012
This Week in Television - Mar. 4-9, 2012
Once Upon a Time
It felt a little like a rehashing of the tremendous Beauty and the Beast episode, only not as good but still better than most episodes. I have to say it wasn't easy to take that actor seriously as a dwarf in love when I remember him as the angry guy who tried to steal George's parking space on Seinfeld. I don't think his infatuation was subtle enough. Having Emilie de Ravin show up again made it slightly better, but when I saw her name in the beginning credits I was hoping we'd see the locked up Storybrook version of her.
New Girl
Another enjoyable episode, except for the part with the singing and rapping, and the fact that Winston not wanting to let go of his crappy van felt way more like a Nick story. Maybe it actually was written originally for Nick, but Nick already had something to do and Winston didn't, so they threw it in. Speaking of Nick, "I can taste my spine" was one of those brilliantly simple lines that worked better than any other joke in that scene. I didn't think it was possible for Zooey Deschanel to be even more adorable, but then she did the Daffy Duck lisp. Well played, Zooey.
Survivor: One World
That was just insulting at the reward challenge when they made the tiles glow so we could see how they lined up when it was already the most obvious thing in the world. I know reality shows regularly insult viewer intelligence, but wow, that was even worse than Americans putting a blue dot on the puck during televised hockey games. And the tribal council was so stupid. Colton is a spoiled, self-centered prick and none of his reasons for hating Bill were even valid, but for some reason Bill is so unbearable that it warrants giving up immunity just to get him out as soon as possible? No. Everything Bill said was reasonable and sensible. The only person who requires that kind of emergency boot is Colton himself. Between that and Probst unnecessarily rubbing in the womens' immunity loss both during and after the challenge, I'm not sure which one of them should win Douchebag of the Week. ...Okay, yes I am.
30 Rock
Jack always seems to underestimate his nemeses and get easily duped by them. It was obvious Kaylie was lying even before Liz suggested it to Jack, because she did it in her previous appearance, and similar things have been done with Devon Banks. But you can't be disappointed with a preface like "Jack vs. Kaylie Round 2: No Subtitle Necessary." Or a silly Mrs. Doubtfire style ending tag with Liz trying to keep up the male persona she invented when comforting Kenneth in the bathroom.
Parks and Recreation
I was actually thinking about Andy's Women's Studies class not too long ago and wondering if they would ever get back to that. Glad to see that they did. I like that April is becoming like this quiet little guardian angel who secretly likes cheering people up. Her explanation about Chris leaving her alone if he gets a girlfriend may have been in part what motivated her, but I think the other half is that she knows how much it sucks to be in that heartbroken position because she went through it with Andy. It was perhaps a step in the right direction that Tom was so focused on not breaking up with Ann again, and it was nice to see them not fighting for a bit even if they felt more like friends than anything more, but then it was two steps back when he presented her with flavoured condoms. Oh, Tom, you lovable douche.
The Office
This felt like one of those transition episodes where nothing is really great about it because it's too busy setting up for a (hopefully) more promising follow-up episode. There were only a couple of little gems this week, like Dwight's treasure trap at the beginning and Kevin thinking that Toby bangs hot supermodels (and Toby subsequently letting him by neither confirming nor denying it). I think Toby's glasses, which I don't recall having seen him wear before, added to his dweeby loser look and thus enhanced any jokes directed at him. I have always found Toby's bored, dissatisfied facial expressions funny but the glasses somehow made him even more hilariously pitiful. Actually, a season or two ago they also had Ryan suddenly wearing similar glasses out of the blue, but because it's Ryan I immediately understood that he was doing it as part of nerd chic. Toby either actually needs them or is jumping on the bandwagon too late because he's Toby. An interesting subtlety if it's the latter.
Up All Night
Comedically unsatisfying, but I enjoyed watching Chris and Reagan with their new friends, accepting the double-edged sword that is spending time with someone who is exactly like you, and then falling out over parenting conflicts. But they were completely right. Way too many parents have no clue how to properly discipline their children, yet think they do. The stuff with Ava and the new boss was boring, though. I'm not sure if her quips during the poker game were supposed to be funny-funny or ironic-funny, but for me they were neither.
Awake
Interesting. In some ways, this was like the reverse of the pilot: last week, Mike solved his cases by using clues from opposite universes; this week, he was able to slightly improve his family life by using that technique at home, but only one case got solved at work. There's no way of knowing why someone would have wanted to destroy his family and not just him, but I've realized that if Mike only seems to switch over when he goes to sleep, meaning he spends a day at a time in each universe rather than the same day both times, and no one ever says "Why were you missing for a whole day?", then that could quite possibly prove that one of them actually is a dream. Hmm...
Hero of the Week: April from Parks and Recreation, for secretly caring.
Douchebag of the Week: Colton from Survivor. He's not a Russell Hantz or a Johnny Fairplay. He's just a horrible human being.
It felt a little like a rehashing of the tremendous Beauty and the Beast episode, only not as good but still better than most episodes. I have to say it wasn't easy to take that actor seriously as a dwarf in love when I remember him as the angry guy who tried to steal George's parking space on Seinfeld. I don't think his infatuation was subtle enough. Having Emilie de Ravin show up again made it slightly better, but when I saw her name in the beginning credits I was hoping we'd see the locked up Storybrook version of her.
New Girl
Another enjoyable episode, except for the part with the singing and rapping, and the fact that Winston not wanting to let go of his crappy van felt way more like a Nick story. Maybe it actually was written originally for Nick, but Nick already had something to do and Winston didn't, so they threw it in. Speaking of Nick, "I can taste my spine" was one of those brilliantly simple lines that worked better than any other joke in that scene. I didn't think it was possible for Zooey Deschanel to be even more adorable, but then she did the Daffy Duck lisp. Well played, Zooey.
Survivor: One World
That was just insulting at the reward challenge when they made the tiles glow so we could see how they lined up when it was already the most obvious thing in the world. I know reality shows regularly insult viewer intelligence, but wow, that was even worse than Americans putting a blue dot on the puck during televised hockey games. And the tribal council was so stupid. Colton is a spoiled, self-centered prick and none of his reasons for hating Bill were even valid, but for some reason Bill is so unbearable that it warrants giving up immunity just to get him out as soon as possible? No. Everything Bill said was reasonable and sensible. The only person who requires that kind of emergency boot is Colton himself. Between that and Probst unnecessarily rubbing in the womens' immunity loss both during and after the challenge, I'm not sure which one of them should win Douchebag of the Week. ...Okay, yes I am.
30 Rock
Jack always seems to underestimate his nemeses and get easily duped by them. It was obvious Kaylie was lying even before Liz suggested it to Jack, because she did it in her previous appearance, and similar things have been done with Devon Banks. But you can't be disappointed with a preface like "Jack vs. Kaylie Round 2: No Subtitle Necessary." Or a silly Mrs. Doubtfire style ending tag with Liz trying to keep up the male persona she invented when comforting Kenneth in the bathroom.
Parks and Recreation
I was actually thinking about Andy's Women's Studies class not too long ago and wondering if they would ever get back to that. Glad to see that they did. I like that April is becoming like this quiet little guardian angel who secretly likes cheering people up. Her explanation about Chris leaving her alone if he gets a girlfriend may have been in part what motivated her, but I think the other half is that she knows how much it sucks to be in that heartbroken position because she went through it with Andy. It was perhaps a step in the right direction that Tom was so focused on not breaking up with Ann again, and it was nice to see them not fighting for a bit even if they felt more like friends than anything more, but then it was two steps back when he presented her with flavoured condoms. Oh, Tom, you lovable douche.
The Office
This felt like one of those transition episodes where nothing is really great about it because it's too busy setting up for a (hopefully) more promising follow-up episode. There were only a couple of little gems this week, like Dwight's treasure trap at the beginning and Kevin thinking that Toby bangs hot supermodels (and Toby subsequently letting him by neither confirming nor denying it). I think Toby's glasses, which I don't recall having seen him wear before, added to his dweeby loser look and thus enhanced any jokes directed at him. I have always found Toby's bored, dissatisfied facial expressions funny but the glasses somehow made him even more hilariously pitiful. Actually, a season or two ago they also had Ryan suddenly wearing similar glasses out of the blue, but because it's Ryan I immediately understood that he was doing it as part of nerd chic. Toby either actually needs them or is jumping on the bandwagon too late because he's Toby. An interesting subtlety if it's the latter.
Up All Night
Comedically unsatisfying, but I enjoyed watching Chris and Reagan with their new friends, accepting the double-edged sword that is spending time with someone who is exactly like you, and then falling out over parenting conflicts. But they were completely right. Way too many parents have no clue how to properly discipline their children, yet think they do. The stuff with Ava and the new boss was boring, though. I'm not sure if her quips during the poker game were supposed to be funny-funny or ironic-funny, but for me they were neither.
Awake
Interesting. In some ways, this was like the reverse of the pilot: last week, Mike solved his cases by using clues from opposite universes; this week, he was able to slightly improve his family life by using that technique at home, but only one case got solved at work. There's no way of knowing why someone would have wanted to destroy his family and not just him, but I've realized that if Mike only seems to switch over when he goes to sleep, meaning he spends a day at a time in each universe rather than the same day both times, and no one ever says "Why were you missing for a whole day?", then that could quite possibly prove that one of them actually is a dream. Hmm...
Hero of the Week: April from Parks and Recreation, for secretly caring.
Douchebag of the Week: Colton from Survivor. He's not a Russell Hantz or a Johnny Fairplay. He's just a horrible human being.
Monday, March 5, 2012
This Week in Television - Feb. 27-Mar. 2, 2012
Smash
Okay, I'm dropping this show. The characters are just too insufferably full of themselves. I mean most shows might have one character like that, but an entire cast? On top of that, the writing and directing was so heavy-handed this episode, with all of the lingering glances, and Karen being physically pushed and bumped by Ivy, and the uninspired attempts at humourous lines that were clearly not written by anyone who knows anything about comedy. It's surprising that I have to say this, but as frustrating as Glee is, it at least has a very small amount of merit, and rather than be annoyed by the New Directions kids I'm just indifferent to them. I suppose it's an accurate depiction of show business if everyone involved is egocentric, it just doesn't make for a good collection of characters that I would want to care about. I might not mind so much if Karen was the center of the show, and they didn't go off into these B and C stories where they try to pretend these other snobs are likable or interesting, but this is not a show about Karen, it's about a cheesy Broadway play, and so I quit.
Survivor: One World
They usually do a memory challenge later in the season, after everyone's mental prowess has deteriorated. I almost feel like the producers condescendingly said "The women are too weak to win at a physical challenge, let's throw them a memory thing." Very glad to see Matt go, as he seemed like the biggest douche on the tribe.
30 Rock
I think the best part of this episode was Tracy and Jenna playing detective (loved Jenna's terrible cop show parody with poor attempts at character development in her blatant referencing of a dead husband), but it put Jack into an interesting perspective when he was so preoccupied with getting ahead at work that he couldn't even recognize a friendship as a friendship. A lot of people complain about Kenneth these days, and 30 Rock seems to be listening because they've actually given him a multi-episode arc so he'll have something to do for a while. Don't know if he'll get high enough to succeed Jack's job, but it might make for an epic season finale if they're forced to go head to head.
Parks and Recreation
I didn't believe that Bobby Newport's vacation canoodling was actually some international deal; Leslie shouldn't have fallen for it. It was obvious in the newspaper photos that it was purely for leisure, and after meeting Bobby in a previous episode, it was clear that he wasn't going to be working hard in favour of the city. Also, ramps are still better than electric lifts because if the lift breaks down, you're screwed. Why would nobody bring that up? The water fountain and water fight stuff were fun, though when they solved the problem I almost expected Andy to just put his mouth on the spout hole.
The Office
The whole B-plot with Andy being beaten up by kids was mostly unfunny. It's already been done many times elsewhere. But it was mildly amusing for the idea of Toby conducting a martial arts seminar and plugging his mystery novel, and for Creed's demonstration of "strike, scream, run". I enjoyed the Sabre store more, and all of the dishonesty that went into its opening and promotion as the employees played characters and created false scenarios. Lying is a business, too, folks.
Up All Night
A couple of chuckles this week, and it was nice to see Will Forte back, but Up All Night is still the most average comedy of the week for me. I never hate it, but it's never amazing, either.
Awake
I've been excited to see this show ever since the trailer showed up last summer. The only problem is that the trailer spoiled at least 40% of the episode, but otherwise it was highly engaging thanks to a cool concept and strong performances from the actors. I just hope the big twist isn't that the accident put Mike into a coma and he's imagining both worlds, because that would feel unoriginal. Side note: it's kind of funny that the actor who played Jack's "son" on Lost is once again playing a possibly non-existent son.
Hero of the Week: Mike from Awake, for having no intention of ever making progress.
Douchebag of the Week: Jennifer Barkley from Parks and Recreation, for being too good a campaign manager to Bobby Newport when neither her nor her client really care about it.
Okay, I'm dropping this show. The characters are just too insufferably full of themselves. I mean most shows might have one character like that, but an entire cast? On top of that, the writing and directing was so heavy-handed this episode, with all of the lingering glances, and Karen being physically pushed and bumped by Ivy, and the uninspired attempts at humourous lines that were clearly not written by anyone who knows anything about comedy. It's surprising that I have to say this, but as frustrating as Glee is, it at least has a very small amount of merit, and rather than be annoyed by the New Directions kids I'm just indifferent to them. I suppose it's an accurate depiction of show business if everyone involved is egocentric, it just doesn't make for a good collection of characters that I would want to care about. I might not mind so much if Karen was the center of the show, and they didn't go off into these B and C stories where they try to pretend these other snobs are likable or interesting, but this is not a show about Karen, it's about a cheesy Broadway play, and so I quit.
Survivor: One World
They usually do a memory challenge later in the season, after everyone's mental prowess has deteriorated. I almost feel like the producers condescendingly said "The women are too weak to win at a physical challenge, let's throw them a memory thing." Very glad to see Matt go, as he seemed like the biggest douche on the tribe.
30 Rock
I think the best part of this episode was Tracy and Jenna playing detective (loved Jenna's terrible cop show parody with poor attempts at character development in her blatant referencing of a dead husband), but it put Jack into an interesting perspective when he was so preoccupied with getting ahead at work that he couldn't even recognize a friendship as a friendship. A lot of people complain about Kenneth these days, and 30 Rock seems to be listening because they've actually given him a multi-episode arc so he'll have something to do for a while. Don't know if he'll get high enough to succeed Jack's job, but it might make for an epic season finale if they're forced to go head to head.
Parks and Recreation
I didn't believe that Bobby Newport's vacation canoodling was actually some international deal; Leslie shouldn't have fallen for it. It was obvious in the newspaper photos that it was purely for leisure, and after meeting Bobby in a previous episode, it was clear that he wasn't going to be working hard in favour of the city. Also, ramps are still better than electric lifts because if the lift breaks down, you're screwed. Why would nobody bring that up? The water fountain and water fight stuff were fun, though when they solved the problem I almost expected Andy to just put his mouth on the spout hole.
The Office
The whole B-plot with Andy being beaten up by kids was mostly unfunny. It's already been done many times elsewhere. But it was mildly amusing for the idea of Toby conducting a martial arts seminar and plugging his mystery novel, and for Creed's demonstration of "strike, scream, run". I enjoyed the Sabre store more, and all of the dishonesty that went into its opening and promotion as the employees played characters and created false scenarios. Lying is a business, too, folks.
Up All Night
A couple of chuckles this week, and it was nice to see Will Forte back, but Up All Night is still the most average comedy of the week for me. I never hate it, but it's never amazing, either.
Awake
I've been excited to see this show ever since the trailer showed up last summer. The only problem is that the trailer spoiled at least 40% of the episode, but otherwise it was highly engaging thanks to a cool concept and strong performances from the actors. I just hope the big twist isn't that the accident put Mike into a coma and he's imagining both worlds, because that would feel unoriginal. Side note: it's kind of funny that the actor who played Jack's "son" on Lost is once again playing a possibly non-existent son.
Hero of the Week: Mike from Awake, for having no intention of ever making progress.
Douchebag of the Week: Jennifer Barkley from Parks and Recreation, for being too good a campaign manager to Bobby Newport when neither her nor her client really care about it.
Monday, February 27, 2012
This Week in Television - Feb. 19-24, 2012
Once Upon a Time
Well, after last week's terrific episode, we're back to a lukewarm show. While what David did to his fiance was not cool, I don't entirely feel sorry for her; partly because she is uninteresting and not likable, and partly because they are both responsible for what happened. They both knew a long time ago that he didn't love her, but they chose to drag it out and remain in denial. The mayor says "relationships take work", but I don't really agree with that. Call me a romantic, but I think if it's the right person, there shouldn't be much work involved. If you have to force someone to love you, or force yourself to love someone, then they're probably not your soulmate.
Smash
This wasn't a very good episode. I hate to say it, but while this show is mechanically less flawed, Glee is still more entertaining, and while I'm indifferent to most of the Glee characters, they're generally still more likable than these pretentious showbiz snobs on Smash. I think I'm mostly referring to Tom and Julia when I say "showbiz snobs", but most of the cast has it to some degree. I did enjoy Anjelica Huston throwing drinks in her ex-husband's face, but it feels like Karen didn't really do anything in this episode. I couldn't care less about the Marilyn musical, but Karen is actually doing stuff when she's a part of it.
Glee
Season three has been the most horrendous season yet, but this episode was almost good. I think the stuff with Karofsky was handled without being exaggerated, misguided, inaccurate, or glossed over, and that is rare for Glee and its sloppy, unrealistic writing. But we still got the usual ridiculousness elsewhere, like Finn and Rachel moving their wedding up AGAIN, and Quinn getting in a random car accident just for the sake of shock value. Also, it stands out too much when choirs other than New Directions perform, and they have one person singing lead and everyone else on backup just because the one on lead is a paid guest star with lines on the show.
New Girl
Some funny stuff again this episode. I think the "Jerksica" line rings true for the lack of creativity in a lot of bullies. I mean let's be honest, how many bullies are actually smart? Speaking of creativity, that Youtube video with the CG animation was way too good for any 12 year-old to have done, especially within the implied timeframe. Schmidt could have just as easily been involved in the bullying story, as he was once fat and most likely bullied for it, but he had the Cece thing, and it gave Winston something to do, which was no doubt funnier than any scene involving his girlfriend would have been, so it worked out. I think Nick kind of got the dud story this week, but it was interesting watching his emotional state at the science fair. On a side note, I was glad to see no volcanoes at the science fair, because that is one of the hugest school cliches out there, although they could have used that as an opportunity for a joke about it. The flashlight duct-taped to the ball was a hilarious one.
Survivor: One World
Colton (which might be in my top 10 least favourite baby names) is already shaping up to be the villain of the season, although he seems to vary between arrogantly thinking he's going to control the game and wandering around helplessly because nobody wants to be his friend and he doesn't know how to do anything. But as much as the guys are dicks, I have to at least give them credit for not being homophobic and not being, as I said last week, disrespectful toward the little person. Although Leif is so far this season's Rick, because we haven't gotten any talking heads or interactions with him yet, so we wouldn't know if someone dissed him to his face.
30 Rock
There aren't many TV shows that do an episode about February 29th, let alone invent an entire holiday - complete with mascot and traditions - for it. Awesome. I also loved the Leap Day Williams movie starring Jim Carrey and Andie McDowell, because when 30 Rock does those kinds of pop culture parodies (e.g. Queen of Jordan, MILF Island, America's Kids Got Singing), they're always just on the edge of ridiculousness but completely accurate to the point of being something that could really, truly, actually exist. Or I suppose they're accurate because they already exist in some form: Leap Day Williams would basically be the same movie as Evan Almighty or The Santa Clause. And as disturbing as the final image of Leap Day William turning into a horrifying sea monster was, I laughed. I like to think that had the hot supermodels not shown up, Liz would have backed out at least half way through having sex with Stevie from Eastbound and Down. Not out of dignity or anything, just out of disgust.
Parks and Recreation
I wasn't expecting that Tom would be complaining about Ann's faults, because as the viewers we know that while Ann is not perfect, she's far from insufferable, and Tom is not an easy guy to date without being embarrassed after five minutes. But it made it interesting when it went that way, and at least Tom is now thinking about more than just her looks. Kind of funny and sad at the same time that Jerry's wife celebrates his birthday by going out alone with her friends.
The Office
I liked the ending of this episode, with Jim and Dwight eating dessert together as they hide from the women who want to sleep with them. Good for them for not doing it. Who would have thought Dwight's insanity would come in handy to Jim? Ryan is just 100% douchebag now. I think the last time he was even a tiny bit likable was probably during the Michael Scott Paper Company, and that likability came more from his situation than his character. I have yet to get on board with Daryl and Val, though. They just don't have the chemistry that Jim and Pam had during the beginning seasons, or even that Erin and Andy had before Gabe stole her from him. Val's not a significant enough character to get the screen time for chemistry, or even character development. She's been in a number of episodes now and I still feel like I know nothing about her.
Up All Night
I felt like this episode was almost funny, but all of the jokes just fell short of a laugh. So close. But I do appreciate the truth in most relationships seeming to have one who is easygoing and one who has to be the hard-ass.
Fringe
This week's episode was epic! There has been talk that this may be Fringe's last season because of the ratings it's been getting in its (bad) timeslot, so it's good that we got this episode explaining the observers, just in case. It also nicely tied together the storyline of the entire series to prove the relevance of everything we've seen so far, and dealt with what I pointed out last week about Peter having to leave this Olivia and return to his own. I'm excited for what is to come, because it feels like it is moving toward the series finale now.
Hero of the Week: Both Jim and Dwight from The Office, for helping each other not to have inappropriate sex.
Douchebag of the Week: Ryan from The Office, for transparently not wanting to wait six months for appropriate sex.
Well, after last week's terrific episode, we're back to a lukewarm show. While what David did to his fiance was not cool, I don't entirely feel sorry for her; partly because she is uninteresting and not likable, and partly because they are both responsible for what happened. They both knew a long time ago that he didn't love her, but they chose to drag it out and remain in denial. The mayor says "relationships take work", but I don't really agree with that. Call me a romantic, but I think if it's the right person, there shouldn't be much work involved. If you have to force someone to love you, or force yourself to love someone, then they're probably not your soulmate.
Smash
This wasn't a very good episode. I hate to say it, but while this show is mechanically less flawed, Glee is still more entertaining, and while I'm indifferent to most of the Glee characters, they're generally still more likable than these pretentious showbiz snobs on Smash. I think I'm mostly referring to Tom and Julia when I say "showbiz snobs", but most of the cast has it to some degree. I did enjoy Anjelica Huston throwing drinks in her ex-husband's face, but it feels like Karen didn't really do anything in this episode. I couldn't care less about the Marilyn musical, but Karen is actually doing stuff when she's a part of it.
Glee
Season three has been the most horrendous season yet, but this episode was almost good. I think the stuff with Karofsky was handled without being exaggerated, misguided, inaccurate, or glossed over, and that is rare for Glee and its sloppy, unrealistic writing. But we still got the usual ridiculousness elsewhere, like Finn and Rachel moving their wedding up AGAIN, and Quinn getting in a random car accident just for the sake of shock value. Also, it stands out too much when choirs other than New Directions perform, and they have one person singing lead and everyone else on backup just because the one on lead is a paid guest star with lines on the show.
New Girl
Some funny stuff again this episode. I think the "Jerksica" line rings true for the lack of creativity in a lot of bullies. I mean let's be honest, how many bullies are actually smart? Speaking of creativity, that Youtube video with the CG animation was way too good for any 12 year-old to have done, especially within the implied timeframe. Schmidt could have just as easily been involved in the bullying story, as he was once fat and most likely bullied for it, but he had the Cece thing, and it gave Winston something to do, which was no doubt funnier than any scene involving his girlfriend would have been, so it worked out. I think Nick kind of got the dud story this week, but it was interesting watching his emotional state at the science fair. On a side note, I was glad to see no volcanoes at the science fair, because that is one of the hugest school cliches out there, although they could have used that as an opportunity for a joke about it. The flashlight duct-taped to the ball was a hilarious one.
Survivor: One World
Colton (which might be in my top 10 least favourite baby names) is already shaping up to be the villain of the season, although he seems to vary between arrogantly thinking he's going to control the game and wandering around helplessly because nobody wants to be his friend and he doesn't know how to do anything. But as much as the guys are dicks, I have to at least give them credit for not being homophobic and not being, as I said last week, disrespectful toward the little person. Although Leif is so far this season's Rick, because we haven't gotten any talking heads or interactions with him yet, so we wouldn't know if someone dissed him to his face.
30 Rock
There aren't many TV shows that do an episode about February 29th, let alone invent an entire holiday - complete with mascot and traditions - for it. Awesome. I also loved the Leap Day Williams movie starring Jim Carrey and Andie McDowell, because when 30 Rock does those kinds of pop culture parodies (e.g. Queen of Jordan, MILF Island, America's Kids Got Singing), they're always just on the edge of ridiculousness but completely accurate to the point of being something that could really, truly, actually exist. Or I suppose they're accurate because they already exist in some form: Leap Day Williams would basically be the same movie as Evan Almighty or The Santa Clause. And as disturbing as the final image of Leap Day William turning into a horrifying sea monster was, I laughed. I like to think that had the hot supermodels not shown up, Liz would have backed out at least half way through having sex with Stevie from Eastbound and Down. Not out of dignity or anything, just out of disgust.
Parks and Recreation
I wasn't expecting that Tom would be complaining about Ann's faults, because as the viewers we know that while Ann is not perfect, she's far from insufferable, and Tom is not an easy guy to date without being embarrassed after five minutes. But it made it interesting when it went that way, and at least Tom is now thinking about more than just her looks. Kind of funny and sad at the same time that Jerry's wife celebrates his birthday by going out alone with her friends.
The Office
I liked the ending of this episode, with Jim and Dwight eating dessert together as they hide from the women who want to sleep with them. Good for them for not doing it. Who would have thought Dwight's insanity would come in handy to Jim? Ryan is just 100% douchebag now. I think the last time he was even a tiny bit likable was probably during the Michael Scott Paper Company, and that likability came more from his situation than his character. I have yet to get on board with Daryl and Val, though. They just don't have the chemistry that Jim and Pam had during the beginning seasons, or even that Erin and Andy had before Gabe stole her from him. Val's not a significant enough character to get the screen time for chemistry, or even character development. She's been in a number of episodes now and I still feel like I know nothing about her.
Up All Night
I felt like this episode was almost funny, but all of the jokes just fell short of a laugh. So close. But I do appreciate the truth in most relationships seeming to have one who is easygoing and one who has to be the hard-ass.
Fringe
This week's episode was epic! There has been talk that this may be Fringe's last season because of the ratings it's been getting in its (bad) timeslot, so it's good that we got this episode explaining the observers, just in case. It also nicely tied together the storyline of the entire series to prove the relevance of everything we've seen so far, and dealt with what I pointed out last week about Peter having to leave this Olivia and return to his own. I'm excited for what is to come, because it feels like it is moving toward the series finale now.
Hero of the Week: Both Jim and Dwight from The Office, for helping each other not to have inappropriate sex.
Douchebag of the Week: Ryan from The Office, for transparently not wanting to wait six months for appropriate sex.
Saturday, February 18, 2012
This Week in Television - Feb. 12-17, 2012
Once Upon a Time
Wow, I wasn't expecting any episode of this show to blow me away, but I really liked this one. Well, the girls night out subplot was dull, but Robert Carlyle and Emilie de Ravin nailed their chemistry together, and just when I thought the Storybrook segments were useless this week, we got that awesome scene near the end with the mayor visiting Mr. Gold in jail. That scene was huge, because it was the first time either of them has openly acknowledged the fairy tale world. This show has been somewhat lukewarm for the most part but, damn, I loved this episode.
Smash
I actually thought they were just going to give the part to both girls, and have Ivy play Marilyn while Karen plays Norma Jean. Although that would be a cop-out, and has been done in the TV movie Norma Jean and Marilyn. I'm finding I don't really care for most of the characters, because everyone except Karen is a showbiz snob, and I'm not on board with Julia's adoption plans because a) they're boring, b) I haven't known this character long enough to start caring about her family, c) she already has a kid, greatly diminishing the whole "strong desire to be a mother" angle, and d) why is that kid as obsessed with having a new baby as she is? Teenage boys have other things to care about. Also, this show is astoundingly terrible at cliffhangers. All of the commercial breaks and episode endings are at odd and abrupt times that in no way leave you wanting more.
Glee
Not only was the Artie vs. Irish kid thing very uninspired, but Sugar just turned down Artie like two episodes ago, so why is she suddenly open to him courting her? And it was painfully predictable that Kurt's secret admirer was going to be Karofsky (or at least not Blaine), because of the way Kurt kept insisting, in a lazy attempt at a mislead, that it was Blaine. Irish kid is still a sneaky prick. The one thing I did enjoy was the slightly meta moment with Santana complaining that she's not allowed to kiss Brittany when Finn and Rachel make out all the time, because the show itself has pretty much had that mentality since Santana came out. I was glad to see they finally addressed something. Only about 9,000 more problems to fix.
New Girl
I think it's official that Winston is boring in scenes with that girl he likes. But there was otherwise some really funny stuff in this episode, like the club pack box of condoms, Jess's failed attempt at doing a sexy cherry trick, any time Schmidt mentioned "youths", and the flashback of Nick entering a cock fight "as a person". On principle, I would have been pissed if Jess slept with Schmidt. We dodged a bullet there.
Survivor: One World
Not much to say yet, except that the men are arrogant pricks, and that it was nice that nobody made a big deal out of the little person. Usually when someone has some kind of disability or anything that makes them different, the show is all over it, but we just got people commenting on his strength.
30 Rock
The Liz and Jack stories turning into a Batman/Joker reference was a weird and random reference to go to, but a funny one nonetheless. I don't mind Jenna and Paul, but I think their regular weirdness was funnier than the "normalling".
Parks and Recreation
It was cool to see Louis C.K. back, but Officer Dave didn't seem like as good of a guy as I remember. He was chivalrous toward Leslie, I guess, but he was also really awkward and unable to hide his jealousy of Ben. But I laughed at his idea that he and Leslie, after reconciling, would go back to the bathroom and uncuff Ben together, like it was something romantic. Speaking of romance, Tom trying to mack is always funny, and I'm almost disappointed in Ann for giving in, but then he would have kept being annoying if she hadn't, so I can see how he wore her down (the four sweetest words in the English language!). Also the little subplot with April helping Ron hide/destroy the Duke Silver memorabilia was great.
The Office
I guess we're not done with Tallahassee, because there was no mention of Erin's possible departure or Cathy hitting on Jim (other than some obvious but fruitless attempts to talk to him). The opening with Dwight waking everyone up was funny. I think some of The Office's strongest moments these days are montages like that one, where we see the characters' individual reactions to something. I enjoyed Andy at reception, because it does seem like it would be a better fit for him, and it served to highlight that he doesn't really do anything as regional manager, which isn't necessarily his fault - that's just how management positions are.
Up All Night
I think this show stepped into the "obvious joke" shoes again with all of the stuff about saying "bomb" in an airport. But the part I did find somewhat interesting was their whole baby plan/schedule to avoid the dreaded fuss of having a baby on an airplane. I haven't seen that before. The "Back it Up" song wasn't that great, but as I am a fan of impressions when they are either really good or really bad, Chris doing Michael Keaton characters was funny.
Fringe
If I were Peter, what I would be worried about is the inevitability of this Olivia getting hurt when he leaves her to go back to his timeline. Unless he's either planning to stay, or take her with him for an Olivia threesome. It was interesting watching Jackson and Torv play this episode, though; Olivia was kind of giddy with her new-found feelings, and Peter was troubled by them. Maybe I wasn't watching closely enough, but the ending seemed to come out of nowhere. Not a complaint, though; I know it will be expanded on next week. It was just a good "WTF" moment.
Hero of the Week: Belle from Once Upon a Time, for coming back with the straw.
Douchebag of the Week: The tribe of men on Survivor. Get over yourselves, meatheads.
Wow, I wasn't expecting any episode of this show to blow me away, but I really liked this one. Well, the girls night out subplot was dull, but Robert Carlyle and Emilie de Ravin nailed their chemistry together, and just when I thought the Storybrook segments were useless this week, we got that awesome scene near the end with the mayor visiting Mr. Gold in jail. That scene was huge, because it was the first time either of them has openly acknowledged the fairy tale world. This show has been somewhat lukewarm for the most part but, damn, I loved this episode.
Smash
I actually thought they were just going to give the part to both girls, and have Ivy play Marilyn while Karen plays Norma Jean. Although that would be a cop-out, and has been done in the TV movie Norma Jean and Marilyn. I'm finding I don't really care for most of the characters, because everyone except Karen is a showbiz snob, and I'm not on board with Julia's adoption plans because a) they're boring, b) I haven't known this character long enough to start caring about her family, c) she already has a kid, greatly diminishing the whole "strong desire to be a mother" angle, and d) why is that kid as obsessed with having a new baby as she is? Teenage boys have other things to care about. Also, this show is astoundingly terrible at cliffhangers. All of the commercial breaks and episode endings are at odd and abrupt times that in no way leave you wanting more.
Glee
Not only was the Artie vs. Irish kid thing very uninspired, but Sugar just turned down Artie like two episodes ago, so why is she suddenly open to him courting her? And it was painfully predictable that Kurt's secret admirer was going to be Karofsky (or at least not Blaine), because of the way Kurt kept insisting, in a lazy attempt at a mislead, that it was Blaine. Irish kid is still a sneaky prick. The one thing I did enjoy was the slightly meta moment with Santana complaining that she's not allowed to kiss Brittany when Finn and Rachel make out all the time, because the show itself has pretty much had that mentality since Santana came out. I was glad to see they finally addressed something. Only about 9,000 more problems to fix.
New Girl
I think it's official that Winston is boring in scenes with that girl he likes. But there was otherwise some really funny stuff in this episode, like the club pack box of condoms, Jess's failed attempt at doing a sexy cherry trick, any time Schmidt mentioned "youths", and the flashback of Nick entering a cock fight "as a person". On principle, I would have been pissed if Jess slept with Schmidt. We dodged a bullet there.
Survivor: One World
Not much to say yet, except that the men are arrogant pricks, and that it was nice that nobody made a big deal out of the little person. Usually when someone has some kind of disability or anything that makes them different, the show is all over it, but we just got people commenting on his strength.
30 Rock
The Liz and Jack stories turning into a Batman/Joker reference was a weird and random reference to go to, but a funny one nonetheless. I don't mind Jenna and Paul, but I think their regular weirdness was funnier than the "normalling".
Parks and Recreation
It was cool to see Louis C.K. back, but Officer Dave didn't seem like as good of a guy as I remember. He was chivalrous toward Leslie, I guess, but he was also really awkward and unable to hide his jealousy of Ben. But I laughed at his idea that he and Leslie, after reconciling, would go back to the bathroom and uncuff Ben together, like it was something romantic. Speaking of romance, Tom trying to mack is always funny, and I'm almost disappointed in Ann for giving in, but then he would have kept being annoying if she hadn't, so I can see how he wore her down (the four sweetest words in the English language!). Also the little subplot with April helping Ron hide/destroy the Duke Silver memorabilia was great.
The Office
I guess we're not done with Tallahassee, because there was no mention of Erin's possible departure or Cathy hitting on Jim (other than some obvious but fruitless attempts to talk to him). The opening with Dwight waking everyone up was funny. I think some of The Office's strongest moments these days are montages like that one, where we see the characters' individual reactions to something. I enjoyed Andy at reception, because it does seem like it would be a better fit for him, and it served to highlight that he doesn't really do anything as regional manager, which isn't necessarily his fault - that's just how management positions are.
Up All Night
I think this show stepped into the "obvious joke" shoes again with all of the stuff about saying "bomb" in an airport. But the part I did find somewhat interesting was their whole baby plan/schedule to avoid the dreaded fuss of having a baby on an airplane. I haven't seen that before. The "Back it Up" song wasn't that great, but as I am a fan of impressions when they are either really good or really bad, Chris doing Michael Keaton characters was funny.
Fringe
If I were Peter, what I would be worried about is the inevitability of this Olivia getting hurt when he leaves her to go back to his timeline. Unless he's either planning to stay, or take her with him for an Olivia threesome. It was interesting watching Jackson and Torv play this episode, though; Olivia was kind of giddy with her new-found feelings, and Peter was troubled by them. Maybe I wasn't watching closely enough, but the ending seemed to come out of nowhere. Not a complaint, though; I know it will be expanded on next week. It was just a good "WTF" moment.
Hero of the Week: Belle from Once Upon a Time, for coming back with the straw.
Douchebag of the Week: The tribe of men on Survivor. Get over yourselves, meatheads.
Sunday, February 12, 2012
This Week in Television - Feb. 6-11, 2012
Smash
Well, it's a lot less flawed than Glee, but then practically everything is. It seems Katharine McPhee is actually a capable actress, so she was a good choice for the lead role (or maybe not lead, because Debra Messing got just as much screen time, if not more). Ivy - the blonde antagonist - was instantly annoying to me, because she is the type of performer who always goes too big in order to show off. There actually can be such a thing as too much talent, and when you go over the top it ruins a role. While I find Broadway music to be bland, I do appreciate that the music was more seamless and didn't feel like song after song was being crammed down my throat, as is sometimes the case with Glee. My one little nitpick - and it's not just Smash that did this, but a lot of movies and shows do - is the representation of Youtube (or whatever resembles Youtube when copyright is an issue). They always do it as if anything you put on Youtube automatically gets millions of views just because it's on the internet. Unless you have a famous channel with tons of followers, the chances of someone stumbling on your video and then sharing it enough to make it a hit - and in a short amount of time, no less - are about the same as stumbling on a raisin in the sand while walking along the beach. And I doubt that assistant's mother is an internet superstar. But anyway, in spite of an abrupt ending (maybe I'm just too used to cliffhangers) I didn't mind the pilot, so I'm going to keep watching.
Glee
How do they expect us to care about the Sam/Mercedes relationship when 90% of it happened off camera? I don't even care about Finn and Rachel, and they're all over this show. And if Mercedes likes Sam so much, why has she not broken up with her boyfriend? I know we see that kind of behaviour all the time in adults, because sometimes certain circumstances keep you from leaving a person you're not satisfied with, but that does not apply to high school students, because there are no circumstances where it would. I don't think artificial insemination is a fitting storyline for Sue, and I hate that this new coach is still around because she's just an unfunny version of Sue Sylvester. As much as I enjoy Sue, we don't need two of her, especially if one isn't funny. And Santana was right: Mr. Schue's Latino Elvis remix was awful and offensive.
New Girl
Though it may have been a bit of a stretch, I laughed at Jess charming the angry driver with the gun, and Nick and Jess playing chicken with the landlord threesome (is "Underpants Captain" a real thing? ...Never mind, I don't want to know.) The joke about the guards thinking Schmidt was raping his boss in the parking garage didn't quite work, because the view on the monitors just looked like exactly what it was: two people making out. She wasn't struggling, he wasn't restraining her, and they were both standing up. The ending with the Japanese conference call was even worse because it was so predictable and an overused joke. But I really liked the Jess/Nick/Landlord portion of the episode, that stuff was fun.
30 Rock
I like Mary Steenburgen, but I think it was obvious she and Jack were going to develop feelings for each other as soon as she showed up. Their scenes together weren't hilarious, but they had chemistry - probably actually more than Alec Baldwin has with Elizabeth Banks. As a character, Lutz works best when he is the butt of a small, quick joke. When a story is centered around him, like in this episode and the one with everyone catering to him for security in the event of an imaginary apocalypse, it's just more uncomfortable than funny. I don't get the Ikea observational humour because it's not something I've experienced or heard about, but the flashbacks to Liz's bad Valentine's days were fun.
The Office
I liked this one because it seems like it's been a really, really long time since we actually saw anybody working. Dwight trying to put together a team and fighting with Andy about who he's allowed to bring was fun, and it was a nice touch when the final team, whom he despised, surprised him by taking the project seriously and actually contributing good ideas. The way they pulled out those setups at the end, though (Erin claiming she won't return, Cathy hinting that she's going to make a move on Jim), it made this feel like the second last episode of a season.
Up All Night
I know this was a Valentine's episode and all, but I don't think it's necessary to end almost every episode with Chris and Reagan realizing how much they love each other. The show is about a married couple raising their new baby. We know they're not about to get divorced anytime soon, because their marriage is part of the show's premise. I like their characters and it's nice that they're in love and all that, but it doesn't have to be a romantic comedy. It's allowed to be just a comedy that is sometimes romantic. You have to ration those sweet moments or your show just gets too mushy.
Fringe
For characters who are way smarter than I am, they should have figured out before me that two universes were blending together. They did not, but I guess the writers had to drag it out a little for dramatic purposes. It was a cool episode, though, and the ending with Olivia raises some interesting questions. For instance, if Peter's Olivia is blending into this one, does that mean both will be destroyed? If not, will he even want to go home if he has Olivia back? Or are other things/people going to follow suit?
Saturday Night Live
I don't always watch SNL, and I never write about it, but I'll make an exception because this week it was hosted by my future wife Zooey Deschanel. Now there are times when some of the hosts (probably more often the female ones) get stuck playing the straight man while the cast has all the fun playing their wacky recurring characters, but I was glad to see them allowing Zooey to be funny, because she does have that comedic talent. I don't understand the appeal of those "Les Jeunes de Paris" sketches. I've seen them do it a few times, and I get the references to French culture and French cinema, I just don't see how it is potent as a comedy sketch. Abby Elliot's Zooey impression was fairly good, as was Zooey's Mary Kate Olsen impression, and Taran Killam's Michael Cera impression had the perfect enunciation, but was about three octaves too high. I'm not sure if the squeaky voice was a joke or if for some reason he just can't do it any lower. Bill Hader's Clint Eastwood is also great, but most of his impressions are. I was excited by the return of the technology humping sketch, because it was my favourite part of the last Emma Stone episode. It wasn't as good as the first time, but I enjoy that it can be so filthy while also remaining completely G-rated. The crab sketch was, like the content of it, a predictable build-up to pretty much nothing, and while I liked the fast-talking 1940's sketch, its ending felt weird and abrupt - or, in other words, non-existent. But overall it was a decent episode; I've seen far worse. And we even got a surprise cameo from Nicolas Cage!
Hero of the Week: Zooey Deschanel on Saturday Night Live, for not being the unfunny one in ANY of the sketches.
Douchebag of the Week: Coach Roz from Glee, because there's only one Sue Sylvester.
Well, it's a lot less flawed than Glee, but then practically everything is. It seems Katharine McPhee is actually a capable actress, so she was a good choice for the lead role (or maybe not lead, because Debra Messing got just as much screen time, if not more). Ivy - the blonde antagonist - was instantly annoying to me, because she is the type of performer who always goes too big in order to show off. There actually can be such a thing as too much talent, and when you go over the top it ruins a role. While I find Broadway music to be bland, I do appreciate that the music was more seamless and didn't feel like song after song was being crammed down my throat, as is sometimes the case with Glee. My one little nitpick - and it's not just Smash that did this, but a lot of movies and shows do - is the representation of Youtube (or whatever resembles Youtube when copyright is an issue). They always do it as if anything you put on Youtube automatically gets millions of views just because it's on the internet. Unless you have a famous channel with tons of followers, the chances of someone stumbling on your video and then sharing it enough to make it a hit - and in a short amount of time, no less - are about the same as stumbling on a raisin in the sand while walking along the beach. And I doubt that assistant's mother is an internet superstar. But anyway, in spite of an abrupt ending (maybe I'm just too used to cliffhangers) I didn't mind the pilot, so I'm going to keep watching.
Glee
How do they expect us to care about the Sam/Mercedes relationship when 90% of it happened off camera? I don't even care about Finn and Rachel, and they're all over this show. And if Mercedes likes Sam so much, why has she not broken up with her boyfriend? I know we see that kind of behaviour all the time in adults, because sometimes certain circumstances keep you from leaving a person you're not satisfied with, but that does not apply to high school students, because there are no circumstances where it would. I don't think artificial insemination is a fitting storyline for Sue, and I hate that this new coach is still around because she's just an unfunny version of Sue Sylvester. As much as I enjoy Sue, we don't need two of her, especially if one isn't funny. And Santana was right: Mr. Schue's Latino Elvis remix was awful and offensive.
New Girl
Though it may have been a bit of a stretch, I laughed at Jess charming the angry driver with the gun, and Nick and Jess playing chicken with the landlord threesome (is "Underpants Captain" a real thing? ...Never mind, I don't want to know.) The joke about the guards thinking Schmidt was raping his boss in the parking garage didn't quite work, because the view on the monitors just looked like exactly what it was: two people making out. She wasn't struggling, he wasn't restraining her, and they were both standing up. The ending with the Japanese conference call was even worse because it was so predictable and an overused joke. But I really liked the Jess/Nick/Landlord portion of the episode, that stuff was fun.
30 Rock
I like Mary Steenburgen, but I think it was obvious she and Jack were going to develop feelings for each other as soon as she showed up. Their scenes together weren't hilarious, but they had chemistry - probably actually more than Alec Baldwin has with Elizabeth Banks. As a character, Lutz works best when he is the butt of a small, quick joke. When a story is centered around him, like in this episode and the one with everyone catering to him for security in the event of an imaginary apocalypse, it's just more uncomfortable than funny. I don't get the Ikea observational humour because it's not something I've experienced or heard about, but the flashbacks to Liz's bad Valentine's days were fun.
The Office
I liked this one because it seems like it's been a really, really long time since we actually saw anybody working. Dwight trying to put together a team and fighting with Andy about who he's allowed to bring was fun, and it was a nice touch when the final team, whom he despised, surprised him by taking the project seriously and actually contributing good ideas. The way they pulled out those setups at the end, though (Erin claiming she won't return, Cathy hinting that she's going to make a move on Jim), it made this feel like the second last episode of a season.
Up All Night
I know this was a Valentine's episode and all, but I don't think it's necessary to end almost every episode with Chris and Reagan realizing how much they love each other. The show is about a married couple raising their new baby. We know they're not about to get divorced anytime soon, because their marriage is part of the show's premise. I like their characters and it's nice that they're in love and all that, but it doesn't have to be a romantic comedy. It's allowed to be just a comedy that is sometimes romantic. You have to ration those sweet moments or your show just gets too mushy.
Fringe
For characters who are way smarter than I am, they should have figured out before me that two universes were blending together. They did not, but I guess the writers had to drag it out a little for dramatic purposes. It was a cool episode, though, and the ending with Olivia raises some interesting questions. For instance, if Peter's Olivia is blending into this one, does that mean both will be destroyed? If not, will he even want to go home if he has Olivia back? Or are other things/people going to follow suit?
Saturday Night Live
I don't always watch SNL, and I never write about it, but I'll make an exception because this week it was hosted by my future wife Zooey Deschanel. Now there are times when some of the hosts (probably more often the female ones) get stuck playing the straight man while the cast has all the fun playing their wacky recurring characters, but I was glad to see them allowing Zooey to be funny, because she does have that comedic talent. I don't understand the appeal of those "Les Jeunes de Paris" sketches. I've seen them do it a few times, and I get the references to French culture and French cinema, I just don't see how it is potent as a comedy sketch. Abby Elliot's Zooey impression was fairly good, as was Zooey's Mary Kate Olsen impression, and Taran Killam's Michael Cera impression had the perfect enunciation, but was about three octaves too high. I'm not sure if the squeaky voice was a joke or if for some reason he just can't do it any lower. Bill Hader's Clint Eastwood is also great, but most of his impressions are. I was excited by the return of the technology humping sketch, because it was my favourite part of the last Emma Stone episode. It wasn't as good as the first time, but I enjoy that it can be so filthy while also remaining completely G-rated. The crab sketch was, like the content of it, a predictable build-up to pretty much nothing, and while I liked the fast-talking 1940's sketch, its ending felt weird and abrupt - or, in other words, non-existent. But overall it was a decent episode; I've seen far worse. And we even got a surprise cameo from Nicolas Cage!
Hero of the Week: Zooey Deschanel on Saturday Night Live, for not being the unfunny one in ANY of the sketches.
Douchebag of the Week: Coach Roz from Glee, because there's only one Sue Sylvester.
Sunday, February 5, 2012
This Week in Television - Jan. 29-Feb. 3, 2012
Once Upon a Time
I don't know how we were supposed to sympathize with the genie when he seemed to only love the queen for her looks. I felt worse for the king because he was nice enough to free him and it got him stabbed in the back. I saw Emma's failure coming; it was too easy (and, in the series, too soon) for that to be able to stop the mayor. I'm wondering if this mysterious writer guy was the original author of the fairy tale book and has come to finish it or something.
Glee
Rather than go on another rant, perhaps I should just say this: Worst. Episode. Ever. And that's saying a lot when it comes to Glee.
New Girl
I thought Julia was a more fun person in her scenes with Nick last episode, but this week there weren't any signs of that as her being mean was a driving force behind the story. It didn't quite feel consistent, but I did laugh at the bathroom-crying jokes. Winston's storyline was a little dull, but at least it was a bit of character development for him. Schmidt's parts weren't so much a storyline as one very simple joke, which worked best at the end when Nick revealed how little he washes things.
30 Rock
I don't think anyone will disagree that the best line in this episode was "It's the ultimate game... Jack Donaghy playing with himself... It's a Jack-off." I thought Liz using Jack's negotiation tactics against him was an awesomely fun episode idea, and it didn't disappoint. However, Tracy and Jenna at the bar mitzvah didn't work as well for me. It just felt like one joke gone on too long, and a potential platform for character growth that probably won't actually result in any growth from either of them. And I was actually kind of looking forward to the possibility of Kenneth having a different job at NBC, just to change things up, but I guess that was a cop-out, too.
Parks and Recreation
I almost thought this episode was a rerun when it opened with "Galentine's Day", which a season 2 episode also did, but then Leslie mentioned that April was married and my confusion became delight at the show's continuity. Sometimes when The Office does a certain event like that, we never see it again even if it's supposed to be happening regularly. Chris DJing the party with sad music was predictable, but it was interesting seeing him in a depressed state because it's so contrary to what we're used to from him. Ron, Andy, and Ben as the clue-hunting team was awesome; especially Ron's transition from hating riddles (or at least pretending to) to outright loving them and having so much of a blast that he requests a clue hunt from Leslie for his birthday. I kind of hope we get to see that now. Ann and Tom was a pretty big surprise; I know they were using the idea of Ann and Chris reuniting as a red herring, but because it seemed apparent so early in the episode I thought it was just going to be a very predictable plot point. I like being surprised, so that was an interesting twist, and while it was unclear whether that relationship will continue (it ended with Ann remarking that it was a mistake, but that could be interpreted as a joke), it might be fun if it does. Also very interesting that we've had two episodes in a row where April shows compassion for someone who annoys her. Something's going on there!
The Office
I think the whole jury duty thing was a little over the top, and the web of lies became excrutiating rather than funny. The better part of the episode was actually Angela's baby, with Kevin gleefully calling it "Little Kevin" and Oscar being so amused at her being involved in two shams at once (the gay senator husband and the non-premature baby) that he didn't know which thread to follow first.
Up All Night
It's always fun to see Dennis Duffy from 30 Rock, but once again this show still has trouble making their guest stars funny. The brotherly competitiveness is nothing remotely new to television, and I think I've clarified by now that extended jokes lasting the whole episode are a big drag unless it's a really, really funny joke. This show is only bringing the occasional laugh now, but when it's not funny, it's not excruciatingly unfunny, so I still find it watchable because I enjoy Arnett and Applegate. But I do wish it were funnier than it is.
Fringe
I can't believe it took them four seasons for Astrid to be so heavily featured in an episode, but I'm glad that episode now exists. It was oddly fascinating seeing Alt-Astrid as something of a semi-autistic, semi-childlike savant with no apparent dark side to her, and Jasika Nicole killed that performance. But the scenes with Walter and Fauxlivia felt off. He has no reason to despise her in this timeline if she couldn't have seduced and deceived a non-existent Peter. With two death prediction cases in a row, I thought they were going to come back to Olivia's impending death, but instead they showed us a piece of Observer technology and revealed an Observer's name. I'll take it.
Hero of the Week: Jack from 30 Rock, for both winning and losing the "Jack-off" with grace.
Douchebag of the Week: No one really stood out, but I guess I'll say Dwight from The Office. His glee over the possibility of getting Jim fired was a little annoying.
I don't know how we were supposed to sympathize with the genie when he seemed to only love the queen for her looks. I felt worse for the king because he was nice enough to free him and it got him stabbed in the back. I saw Emma's failure coming; it was too easy (and, in the series, too soon) for that to be able to stop the mayor. I'm wondering if this mysterious writer guy was the original author of the fairy tale book and has come to finish it or something.
Glee
Rather than go on another rant, perhaps I should just say this: Worst. Episode. Ever. And that's saying a lot when it comes to Glee.
New Girl
I thought Julia was a more fun person in her scenes with Nick last episode, but this week there weren't any signs of that as her being mean was a driving force behind the story. It didn't quite feel consistent, but I did laugh at the bathroom-crying jokes. Winston's storyline was a little dull, but at least it was a bit of character development for him. Schmidt's parts weren't so much a storyline as one very simple joke, which worked best at the end when Nick revealed how little he washes things.
30 Rock
I don't think anyone will disagree that the best line in this episode was "It's the ultimate game... Jack Donaghy playing with himself... It's a Jack-off." I thought Liz using Jack's negotiation tactics against him was an awesomely fun episode idea, and it didn't disappoint. However, Tracy and Jenna at the bar mitzvah didn't work as well for me. It just felt like one joke gone on too long, and a potential platform for character growth that probably won't actually result in any growth from either of them. And I was actually kind of looking forward to the possibility of Kenneth having a different job at NBC, just to change things up, but I guess that was a cop-out, too.
Parks and Recreation
I almost thought this episode was a rerun when it opened with "Galentine's Day", which a season 2 episode also did, but then Leslie mentioned that April was married and my confusion became delight at the show's continuity. Sometimes when The Office does a certain event like that, we never see it again even if it's supposed to be happening regularly. Chris DJing the party with sad music was predictable, but it was interesting seeing him in a depressed state because it's so contrary to what we're used to from him. Ron, Andy, and Ben as the clue-hunting team was awesome; especially Ron's transition from hating riddles (or at least pretending to) to outright loving them and having so much of a blast that he requests a clue hunt from Leslie for his birthday. I kind of hope we get to see that now. Ann and Tom was a pretty big surprise; I know they were using the idea of Ann and Chris reuniting as a red herring, but because it seemed apparent so early in the episode I thought it was just going to be a very predictable plot point. I like being surprised, so that was an interesting twist, and while it was unclear whether that relationship will continue (it ended with Ann remarking that it was a mistake, but that could be interpreted as a joke), it might be fun if it does. Also very interesting that we've had two episodes in a row where April shows compassion for someone who annoys her. Something's going on there!
The Office
I think the whole jury duty thing was a little over the top, and the web of lies became excrutiating rather than funny. The better part of the episode was actually Angela's baby, with Kevin gleefully calling it "Little Kevin" and Oscar being so amused at her being involved in two shams at once (the gay senator husband and the non-premature baby) that he didn't know which thread to follow first.
Up All Night
It's always fun to see Dennis Duffy from 30 Rock, but once again this show still has trouble making their guest stars funny. The brotherly competitiveness is nothing remotely new to television, and I think I've clarified by now that extended jokes lasting the whole episode are a big drag unless it's a really, really funny joke. This show is only bringing the occasional laugh now, but when it's not funny, it's not excruciatingly unfunny, so I still find it watchable because I enjoy Arnett and Applegate. But I do wish it were funnier than it is.
Fringe
I can't believe it took them four seasons for Astrid to be so heavily featured in an episode, but I'm glad that episode now exists. It was oddly fascinating seeing Alt-Astrid as something of a semi-autistic, semi-childlike savant with no apparent dark side to her, and Jasika Nicole killed that performance. But the scenes with Walter and Fauxlivia felt off. He has no reason to despise her in this timeline if she couldn't have seduced and deceived a non-existent Peter. With two death prediction cases in a row, I thought they were going to come back to Olivia's impending death, but instead they showed us a piece of Observer technology and revealed an Observer's name. I'll take it.
Hero of the Week: Jack from 30 Rock, for both winning and losing the "Jack-off" with grace.
Douchebag of the Week: No one really stood out, but I guess I'll say Dwight from The Office. His glee over the possibility of getting Jim fired was a little annoying.
Sunday, January 22, 2012
This Week in Television - Jan. 15-20, 2012
Once Upon a Time
Oh, Hansel, you dope. How many times did they tell you not to eat anything in the witch's house? Decent episode, though. The orphan storyline finally got Emma to admit how much she cares about Henry, but the ending was more interesting.
Napoleon Dynamite
I'm a fan of the movie, but I'm not sure what to make of these first two episodes of the new animated series because it doesn't really resemble the film. It's more like the director wanted to make an animated series and, as an excuse to garner some initial attention ratings, used the characters and settings from his most successful project. The humour is not the same as in the movie - it's more like season five of Futurama, as in mildly amusing but never laugh out loud hilarious and probably would have been funnier about 15 years ago. The cartoon medium completely changes the tone into something more blatantly wacky and fast paced, and I understand that it's just how animation works, but that's not what the movie was. The movie was more lethargic and quiet, full of moments with Napoleon silently gawking at things because he wasn't a big conversationalist. He does a lot more talking in the cartoon because Jon Heder needs something to do. However, that is this show's biggest strength: all of the actors from the movie came back to do the voices. Given how strange and unique all of those voices are, it would have been way too noticeable had the roles been recast. But there's still one thing to nitpick there, and that is Uncle Rico. It's still the same actor playing him, but he's either completely forgotten the role since doing the movie or they asked him to exaggerate the southern accent so the character would sound more...cartoony. It definitely threw me off because he didn't sound like Uncle Rico, but all of the other voices were perfect. Also, this show doesn't seem to be canon with the film, as Lafawnduh is nowhere in sight even though Kip married her in the movie. I don't think I'll bother to keep watching.
Glee
I can imagine how many fangirls squealed when Finn proposed to Rachel, but I was laughing at what a terrible gimmick it is. And being that their characters are only about 17-18, it makes me think even less of them for even thinking about marriage that young. Though Rachel didn't respond yet, but supposedly they kind of stole that ending from one of the Twilight movies, which is the least surprising thing ever. I don't like how they used that musical number with the girls in black dresses singing about their loved ones to try and imply that those relationships are as meaningful as the adult one between Mr. Schue and Emma, when we know they'll probably all be dating different people by next season. And then they took it even further by having them come to tears while singing it, and then even further by having Mercedes remark afterward how beautiful and moving it was. Nope. I'm somewhat easily moved, and that had zero effect on me. I also found it offensive when they had Becky's voiceover voiced by Helen Mirren, as if they were trying to make a sarcastic joke by making her inner voice classy and intelligent. And offense #3: all of the stuff about Emma's OCD - which was already exaggerated - and how the general opinion was that she is unable to function as a normal human being and for some reason it means she shouldn't get married, except that Mr. Schue is a hero and he'll be there to rescue her. Yes, Glee, that's exactly what OCD is like, thanks. When Artie wheeled himself into the pool during Mr. Schue's ridiculous over the top proposal (the walking on water was definitely too much; it doesn't say "I love you", it says "I'm so awesome I'm doing something Christlike, wanna marry me? Yeah, course you do."), I was like "Well, he's dead," and then he magically reappeared on an inflatable chair. But seriously, how did he get over there? Because doggy paddling doesn't work for humans when your legs are dead weight. And apparently Mr. Schue has literally no friends whatsoever outside of the high school, because that's the only reason I can think of why a grown man would choose Finn to be the best man at his wedding (but really it's because they want an excuse to have the glee club perform a song during the inevitable wedding episode). This was one of the kitschiest Glee episodes ever, but I laughed at a couple of the one-liners in this episode, such as Sue calling Coach Beiste "Michael Chiklis in a wig" and Becky telling Artie that her mom says she has "get down syndrome".
New Girl
Sometimes it feels like this show is too Schmidt-centric, but that may be because of his large personality. Surprisingly, this episode had a character who was even douchier than Schmidt, and got what he deserved from Lizzy Caplan; I was puzzled when Nick was horrified by it, because I'm all for douchebags getting beat up. Does that make me a bad person? And why did they send that white dude if Jess asked for an Asian stripper? I like how offended Nick was by Schmidt's toolish hat and tanktop outfit. I wouldn't want to be associated with someone wearing that, either. The douchebag jar is fun, but if it was meant to deter Schmidt from acting the way he does, it doesn't seem to be working. There's gotta be like a thousand dollars in there by now.
30 Rock
There we go. Much better than last week's episode. Tracy's offensive comments on the show were a lot less offensive than what he said in real life (I believe it was something to the effect of "if I had a gay son, I'd shoot myself"), but I think this episode poking fun at it was a fair punishment and was handled well. It sort of managed to chastize and condescend to Tracy while also apologizing to the public and reminding everyone that Tracy's not the kind of dude who would mean it, it was just a bad joke in bad taste. Basically, it hit all the bases while still being funny so as not to waste our time getting caught up in the show's own politics. Kenneth and Jenna's simple lightbulb-changing plot escalated quickly and became funny (those two are often funnier playing off each other than on their own), and the ending when they called Kelsey Grammer was one of those moments where you know it's going to be him because he was in the beginning of the episode, and then when it's him you just go "Yesss!" I loved the tag with his James Bond-like theme song - probably the highlight of the episode. Well, that and the pie chart about TGS's viewers, because every time Jack pulls out a pie chart, the segments on it represent hilarious things.
Parks and Recreation
You know, out of all of NBC's Thursday night comedies, Parks and Recreation is the one that is the most consistently funny. Another solid, hilarious episode this week. Loved Ben, Jerry, and Tom trying to do sinister voiceover voices, every single thing Andy said and did (especially his extremely wide hammering attempt), Chris thwarting Ron's automatic door-closer by slipping in before the shut-out, and Leslie's campaign commercial with the very long list of things she supports. Also, I've always found attack ads funny because they're so dramatic in their accusations, so it was fun to see it here, and cute to see how little Leslie has changed since she was 10 years old.
The Office
This was probably the first episode of the whole season where Andy felt like Andy and not Michael. Maybe because they were outside of the office for a reason not driven by him, so for the writers this episode didn't need a Michael in it. It wasn't one of the funnier episodes, though. I can't recall any jokes that stood out, though the cold opening with Dwight and Stanley "turning the tables" on Jim for free meatballs was such a weird and unexpected ending to that prank that it was kind of funny for that reason.
Up All Night
Megan Mullally has been appearing on almost every comedy show out there, and lately it's been fun to see her, but so far Up All Night hasn't really been putting their guest stars to great use. But I do like the subject of idea stealing, whether coincidental or otherwise, because that sort of thing does happen in the entertainment industry; usually with two very similar movies coming out around the same time, or a few instances I've pointed out on this blog where some TV shows make the same joke in the same week. I don't suspect plagiarism when that happens, but it's fascinating when two seperate people can have the same idea at the same time, and I can imagine how it might make them feel, not being able to prove or disprove intent. But this episode didn't go down that road anyway, as sneakiness is more interesting than coincidence. I'm not sure if I agree with "emotional cheating" being a real thing, though. I understand it, but the only thing that makes it emotional cheating is gender. No one ever calls it that when a dude is having a night out with a male friend.
Fringe
This week's episode had some very cool scenes. Notably the one where Peter was freaking out Jones in the interrogation room, however short-lived that may have been once Jones' contacts came to his rescue. And it was cool to see both sides finally working together, and Walter reuniting with Walternate's wife, although the problem is that all of that theoretically goes away when Peter returns to his timeline. We're into Lost season 6 territory right now, where we're not sure if and why this world we're seeing is going to be relevant, and that makes viewers cautious about getting invested.
Hero of the Week: Julia (Lizzy Caplan) from New Girl, for taking down the douche and generally being a cool date.
Douchebag of the Week: Schmidt's friend Benjamin from New Girl. As he played Todd on Community earlier this season, I think he might be the first actor to win Douchebag for two different roles.
Oh, Hansel, you dope. How many times did they tell you not to eat anything in the witch's house? Decent episode, though. The orphan storyline finally got Emma to admit how much she cares about Henry, but the ending was more interesting.
Napoleon Dynamite
I'm a fan of the movie, but I'm not sure what to make of these first two episodes of the new animated series because it doesn't really resemble the film. It's more like the director wanted to make an animated series and, as an excuse to garner some initial attention ratings, used the characters and settings from his most successful project. The humour is not the same as in the movie - it's more like season five of Futurama, as in mildly amusing but never laugh out loud hilarious and probably would have been funnier about 15 years ago. The cartoon medium completely changes the tone into something more blatantly wacky and fast paced, and I understand that it's just how animation works, but that's not what the movie was. The movie was more lethargic and quiet, full of moments with Napoleon silently gawking at things because he wasn't a big conversationalist. He does a lot more talking in the cartoon because Jon Heder needs something to do. However, that is this show's biggest strength: all of the actors from the movie came back to do the voices. Given how strange and unique all of those voices are, it would have been way too noticeable had the roles been recast. But there's still one thing to nitpick there, and that is Uncle Rico. It's still the same actor playing him, but he's either completely forgotten the role since doing the movie or they asked him to exaggerate the southern accent so the character would sound more...cartoony. It definitely threw me off because he didn't sound like Uncle Rico, but all of the other voices were perfect. Also, this show doesn't seem to be canon with the film, as Lafawnduh is nowhere in sight even though Kip married her in the movie. I don't think I'll bother to keep watching.
Glee
I can imagine how many fangirls squealed when Finn proposed to Rachel, but I was laughing at what a terrible gimmick it is. And being that their characters are only about 17-18, it makes me think even less of them for even thinking about marriage that young. Though Rachel didn't respond yet, but supposedly they kind of stole that ending from one of the Twilight movies, which is the least surprising thing ever. I don't like how they used that musical number with the girls in black dresses singing about their loved ones to try and imply that those relationships are as meaningful as the adult one between Mr. Schue and Emma, when we know they'll probably all be dating different people by next season. And then they took it even further by having them come to tears while singing it, and then even further by having Mercedes remark afterward how beautiful and moving it was. Nope. I'm somewhat easily moved, and that had zero effect on me. I also found it offensive when they had Becky's voiceover voiced by Helen Mirren, as if they were trying to make a sarcastic joke by making her inner voice classy and intelligent. And offense #3: all of the stuff about Emma's OCD - which was already exaggerated - and how the general opinion was that she is unable to function as a normal human being and for some reason it means she shouldn't get married, except that Mr. Schue is a hero and he'll be there to rescue her. Yes, Glee, that's exactly what OCD is like, thanks. When Artie wheeled himself into the pool during Mr. Schue's ridiculous over the top proposal (the walking on water was definitely too much; it doesn't say "I love you", it says "I'm so awesome I'm doing something Christlike, wanna marry me? Yeah, course you do."), I was like "Well, he's dead," and then he magically reappeared on an inflatable chair. But seriously, how did he get over there? Because doggy paddling doesn't work for humans when your legs are dead weight. And apparently Mr. Schue has literally no friends whatsoever outside of the high school, because that's the only reason I can think of why a grown man would choose Finn to be the best man at his wedding (but really it's because they want an excuse to have the glee club perform a song during the inevitable wedding episode). This was one of the kitschiest Glee episodes ever, but I laughed at a couple of the one-liners in this episode, such as Sue calling Coach Beiste "Michael Chiklis in a wig" and Becky telling Artie that her mom says she has "get down syndrome".
New Girl
Sometimes it feels like this show is too Schmidt-centric, but that may be because of his large personality. Surprisingly, this episode had a character who was even douchier than Schmidt, and got what he deserved from Lizzy Caplan; I was puzzled when Nick was horrified by it, because I'm all for douchebags getting beat up. Does that make me a bad person? And why did they send that white dude if Jess asked for an Asian stripper? I like how offended Nick was by Schmidt's toolish hat and tanktop outfit. I wouldn't want to be associated with someone wearing that, either. The douchebag jar is fun, but if it was meant to deter Schmidt from acting the way he does, it doesn't seem to be working. There's gotta be like a thousand dollars in there by now.
30 Rock
There we go. Much better than last week's episode. Tracy's offensive comments on the show were a lot less offensive than what he said in real life (I believe it was something to the effect of "if I had a gay son, I'd shoot myself"), but I think this episode poking fun at it was a fair punishment and was handled well. It sort of managed to chastize and condescend to Tracy while also apologizing to the public and reminding everyone that Tracy's not the kind of dude who would mean it, it was just a bad joke in bad taste. Basically, it hit all the bases while still being funny so as not to waste our time getting caught up in the show's own politics. Kenneth and Jenna's simple lightbulb-changing plot escalated quickly and became funny (those two are often funnier playing off each other than on their own), and the ending when they called Kelsey Grammer was one of those moments where you know it's going to be him because he was in the beginning of the episode, and then when it's him you just go "Yesss!" I loved the tag with his James Bond-like theme song - probably the highlight of the episode. Well, that and the pie chart about TGS's viewers, because every time Jack pulls out a pie chart, the segments on it represent hilarious things.
Parks and Recreation
You know, out of all of NBC's Thursday night comedies, Parks and Recreation is the one that is the most consistently funny. Another solid, hilarious episode this week. Loved Ben, Jerry, and Tom trying to do sinister voiceover voices, every single thing Andy said and did (especially his extremely wide hammering attempt), Chris thwarting Ron's automatic door-closer by slipping in before the shut-out, and Leslie's campaign commercial with the very long list of things she supports. Also, I've always found attack ads funny because they're so dramatic in their accusations, so it was fun to see it here, and cute to see how little Leslie has changed since she was 10 years old.
The Office
This was probably the first episode of the whole season where Andy felt like Andy and not Michael. Maybe because they were outside of the office for a reason not driven by him, so for the writers this episode didn't need a Michael in it. It wasn't one of the funnier episodes, though. I can't recall any jokes that stood out, though the cold opening with Dwight and Stanley "turning the tables" on Jim for free meatballs was such a weird and unexpected ending to that prank that it was kind of funny for that reason.
Up All Night
Megan Mullally has been appearing on almost every comedy show out there, and lately it's been fun to see her, but so far Up All Night hasn't really been putting their guest stars to great use. But I do like the subject of idea stealing, whether coincidental or otherwise, because that sort of thing does happen in the entertainment industry; usually with two very similar movies coming out around the same time, or a few instances I've pointed out on this blog where some TV shows make the same joke in the same week. I don't suspect plagiarism when that happens, but it's fascinating when two seperate people can have the same idea at the same time, and I can imagine how it might make them feel, not being able to prove or disprove intent. But this episode didn't go down that road anyway, as sneakiness is more interesting than coincidence. I'm not sure if I agree with "emotional cheating" being a real thing, though. I understand it, but the only thing that makes it emotional cheating is gender. No one ever calls it that when a dude is having a night out with a male friend.
Fringe
This week's episode had some very cool scenes. Notably the one where Peter was freaking out Jones in the interrogation room, however short-lived that may have been once Jones' contacts came to his rescue. And it was cool to see both sides finally working together, and Walter reuniting with Walternate's wife, although the problem is that all of that theoretically goes away when Peter returns to his timeline. We're into Lost season 6 territory right now, where we're not sure if and why this world we're seeing is going to be relevant, and that makes viewers cautious about getting invested.
Hero of the Week: Julia (Lizzy Caplan) from New Girl, for taking down the douche and generally being a cool date.
Douchebag of the Week: Schmidt's friend Benjamin from New Girl. As he played Todd on Community earlier this season, I think he might be the first actor to win Douchebag for two different roles.
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